Spotlight: Dither’s Taylor Levine—Part I

Last year, I interviewed James Moore from the Dither Guitar Quartet around the time he released his record performing the entirety of John Zorn’s The Book of Heads. This set me on a path examining the place of the electric guitar in contemporary “classical” music. I recently posted a two-part interview with Tim Brady, where we discussed this fascinating (at least to me) subject. With this month’s release of Dither’s fantastic record, Potential Differences [New Focus Recordings], I deemed it time to talk to one of the Quartet’s founders, Taylor Levine, about how they manage to make the electric guitar sound like a natural vehicle for modern composed music. Again, the conversation ranged wide and so there will be a Part II. Please subscribe to find out when the post goes up.

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Spotlight: Tim Brady Part II

In February of 2019, I was flown up to Montreal to cover composer/guitarist Tim Brady’s evening of 150 guitars for Guitar Player. You can read my coverage and interview about that here and see a sample below. Inspired by my conversation with Dither’s James Moore, after we finished Tim’s GP interview, I restarted the recorder for a wide ranging dialogue about the state of the electric guitar in today’s classical world. We covered a lot of ground so I broke  it up into two posts. You can start with Part I here, but it is not necessary.

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Spotlight: Tim Brady Part I

In February of 2019, I was flown up to Montreal to cover composer/guitarist Tim Brady’s evening of 150 guitars for Guitar Player. You can read my coverage and interview about that here and see a sample below. Inspired by my conversation with Dither’s James Moore, after we finished Tim’s GP interview, I restarted the recorder for a wide ranging dialogue about the state of the electric guitar in today’s classical world. We covered a lot of ground so I am breaking it up into two posts. If you enjoy Part I, please subscribe to be notified when Part II is posted.

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Guitar Modern Top Records of 2016

It’s that time of year again: Trees being decorated, candles being lit, balls being dropped, and, of course, year-end top ten lists. You love ’em, you hate ’em but no publication worthy of the name is without them. So here is mine. There were many great records of modern guitar released this year (read about them in the various Record picks posts) but these are the ones that found their way most often to my virtual turntable.

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Guitar Moderne Record Picks VI

Another abundance of riches with new recordings from Tim Brady, Rez Abbasi, Harvey Valdes, David “Fuze” Fiuczynski, Pat Metheny, Mike Baggetta, and more.

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