I once read a quote from Paul Klee, “Art does not reproduce the visible; rather, it makes visible.” I took it to mean that a true artist made you see in a new way, one that hadn’t occurred until you encountered their work. One aspect of David Toop’s artistry lies in writing about music and sound in a way that changes the way you hear. It is not an exaggeration to say that reading his books Haunted Weather and Ocean of Sound changed my life. I lived in New York City at the time and much of what I had heretofore heard as noise pollution became a symphony of sound. So, I was chuffed, as they say on David’s side of the pond, to be able to converse with him at length about music and sound.
A performer as well as a writer (see Below), Toop has shared the stage with Ryuichi Sakamoto and Thurston Moore. A lifelong guitarist, Toop’s latest recording, Apparition Paintings, combines his love of twang, his encyclopedic knowledge of sound art (a term he might not care for) and a wanton disregard for genre.
This will be a periodic offering from Guitar Moderne: a listing of recordings that come to my attention that are momentous enough to make sure they come to yours. These are not reviews. Feel free to submit recordings, but they must be purchasable worldwide, reflective of modern guitar (subjective, but no blues, classic rock, country, etc.) and on a par with the ones below to rate a mention. Many of these are available from DMG in NYC.
I seem to have started this back in November and neglected to post it. I have added some more recent releases as well.
Sidsel Endresen & Stian Westerhus – Bonita [Rune Grammofon] The greatest guitar vocal duo since Joe Pass and Ella Fitzgerald. Modern guitar at its best and most modern.