Summer festival season will be here before you know it. Hopefully we will be virus-free by then and you can enjoy the outdoors in the company of like-minded music fans. Either way, you can count on Guitar Moderne to supply virtual festivals like this to enjoy in the air-conditioned, Portapotty and germ-free comfort of your home.
We start the proceedings with this amazing Terje Rypdal trio concert from a decade ago that I seem to have missed, with Miroslav Vitous triggering orchestral samples.
Happy New Year to all the readers, subscribers and sponsors of Guitar Moderne. I hope to expand the reach of the magazine in 2018 by bringing more guitarists, products and techniques to anyone interested in the future of guitar. Here’s hoping we all have a happy and healthy year in 2018.
There were many terrific records in 2017. In another year, Charlie Rauh’s Viriditas, Dan Phelps’ Arc, and Rights by Manuel Troller’s band Schnellertollermeier might have fit on my “Best of…” list. But this year saw so many releases by modern guitar superstars that I just have to recommend reserving some money to also pick up their worthy efforts.
This list is mine; feel free to list yours in the comment section.
Guitar is but a small part of Paul Steven Ray’s creative palette. Percussion, composing for various aggregations including operas, and video also provide outlets for his restless inventiveness. His latest recording MAPS, by Paul Steve Ray’s BlueBlack Dream (one of his many projects), includes guitar, both played and attacked, samples, Theremin, sung and spoken vocals. It is a work of texture and mystery inspired by a wide range of musical influences thoroughly absorbed.