Every now and again, I like to show a little love to the companies that have supported this endeavor for the last few years. I admit to being bewildered by the Red Panda Context reverb when it first came out. It seemed something of a quotidian pedal from the inventor of the Particle, Raster, and Particle. But when Curt sent me the 2.0 version I realized that in its own way it was as inventive as his other, more obviously out-there effects. Here are a couple of videos that show why.
At NAMM 2020 back in January, the worst thing you had to worry about was getting NAMMthrax (or NAMMonia), that is, a bad cold from shaking all those hands. We live in different times now; hope you and yours are healthy.
What this year’s winter show lacked in number of interesting product debuts it made up for in decibels. Complaints were constant about being unable to hear the gear, or talk to the vendors. (You can experience this in some of the videos). That said, there were a few cool releases that should appeal to the modern guitarist. If April seems late for the roundup, consider that many of these products are just now shipping.
As always, Knobs presents an entertaining, beautifully art-directed product demo. Here, he tackles the new Red Panda Tensor, doing a great job explaining a complex, feature-rich, amazing effect that needs to be in every modern guitarist’s tool box.
Five years ago, I found myself scouring YouTube for videos of guitarists like Nels Cline, Derek Bailey, and Eivind Aarset. I was amazed at how much was available and how those videos led to others by strange and wonderful guitarists I didn’t know. I wanted to share this find—but where? I had many guitarist friends and “friends” on Facebook, but only a small percentage of those would be interested in the avant-garde excursions of the players I enjoyed.
The man who helped inspire guitarmoderne.com takes an awesome solo at 5:25
The good news is that NAMM keeps growing. The better news is that the amount of gear, well, geared to the modern guitarist is growing as well. This year, Anaheim featured a plethora of pedals that made new and glorious noises, a far cry from your standard Tube Screamer and Klon clones (though there were some great versions of the latter from J. Rockett). Also in evidence were unique guitars that managed to look both modern and retro. Hall E, always the land of new ideas good and bad, this time served up some really good ones.
The only bad news was how difficult it was for my one-man show to cover even the equipment of interest to Guitar Moderne readers. Premier Guitar and Guitar Player offer access to much of what I missed, but here is what I found to be the best of the rest.
Nick Reinhart shows what you can do with some Red Panda pedals and a Line 6 DL-4. Check out the color coordinated strap, sneakers and pedal. The man is talented and stylin’.