Danelectro’s president, Steve Ridinger, got his start in the 70’s by manufacturing the fOXX Tone Machine, the now coveted octave fuzz sound used by players like Peter Frampton, Adrian Belew, and Beck. The 3699 fUZZ is a faithful recreation, and a tribute (“3699” spells out “FOXX” on the telephone keypad, and that was the last 4 digits of the company phone number back in the day).
When modern guitarist and 1K Records mogul, Tim Motzer gets together with modern jazz guitar legend Kurt Rosenwinkel and drummer Gintas Janusonis to perform as Bandit65, there is no written music, no songs, no plan. The three musicians jump off a cliff and create music from nothing as they fall. Except that they don’t fall. Working without a safety net, they float gently on currents of magical music, composed in the moment. Tim and Kurt were kind enough to talk to Guitar Moderne about their process and gear.
In this video, Dan Phelps explains how to use Ableton Live’s Looper with a MIDI footswitch.
BOSS just introduced the SY-1000 Guitar Synthesize an advanced synthesizer and modeling processor for guitar and bass. It appears to be a hybrid of the SY-100 synth, and the GP-10, with some Roland VG 99 thrown in. But wait, there’s more!
In Part I Dither co-founder Taylor Levine and I discussed the quartet’s origin and the concept of “good” guitar tone in a New Music/Modern Classical context. Here we delve deeper into the record, Potential Differences, guitarist’s process and gear, as well as some other projects of which he is part.