A delightful combination of new and old faces. Stalwarts Stian Westerhus, Todd Clouser, Eyal Maoz, Álvaro Domene, and Killick Hinds join recent discoveries Colin Fisher, Dean Sanromieri, Craig Chin, and Jeremy Baysse for a spate of great sounding recordings. Lockdown or no lockdown, Covod or no Covid, music will be made!
His work at the intersection of guitar and technology makes Jonathan Crossley an ideal interview for Guitar Moderne. If you are interested in looping, processing, guitar synthesizers, and other guitar-related modalities, don’t miss this one.
I have wanted to talk to Blake Mills, well forever, but especially since he recorded Look, a collection of instrumental pieces recorded almost entirely with old Roland guitar synthesizers. Since then he has used the synths on Mutable Set, a group of dark, intimate, minimalist songs that create a unique world. More recently, he busted out the guitar synth for a few moments in Notes With Attachments (see videos below), yet another unique-sounding record created in conjunction with world-class bassist, Pino Palladino. This time I contacted him through Instagram and we connected. Our conversation ranges far and wide, as Mills proves as thoughtful as he is musical.
For over two decades of world touring, nine solo soundscape albums, and collaborations including over 100 albums of credits, Tim Motzer has been known for his distinctive textural acoustic-electro guitar voice utilizing looping, bowing, electronics, and prepared techniques. He has collaborated with numerous musical luminaries including David Sylvian, Burnt Friedman, poet Ursula Rucker, King Britt, Jamaaladeen Tacuma, Vernon Reid, David Torn, Markus Reuter, J.A. Dino Deane, and Pat Mastelotto, among others. Since 2016, Tim has toured the world playing prestigious venues and jazz festivals with Bandit65, an improvising trio he co-leads with guitarist Kurt Rosenwinkel and drummer Gintas Janusonis.
Tim has brought his projects together under his own 1k Recordings imprint. We talk about that and much of the above as well.
Mulit-effects/amp sim floor pedals are not new. What makes the Neural DSP Quad Cortex Quad-Core Digital Effects Modeler/Profiling Floorboard (say that three times fast) newsworthy is its incorporation of an iPad type touch screen and its capture technology. From Mitch Gallagher’s concise, comprehensive demo, the device seems well thought out and elegantly simple. Unfortunately there seems to be no info on the onboard effects, but the board does allow you to capture the sound of both amps and effects. From the Anderton’s video, the effect capture seems pretty impressive. What do you think?