The Chris Sharkey Interview

Having published Guitar Moderne for over a decade, I remember when I had heard of most of the interesting modern guitarists out there. These days, there is a spate of names completely unknown to me coming over the transom (actually through email). Chris Sharkey is one, playing left-handed guitars strung standard, with chops to spare and a keen sense of  composition. His new record, Presets on Not Applicable Records eschews flurries of notes for new sounds, moods, and textures. We dive deep into Ableton Live, the joys of noise, the London scene in the 2000s and the Leeds scene of today.

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The Brandon Seabrook Interview

One of the best and most interesting guitarists on the New York scene (which means anywhere), Brandon Seabrook combines elements of metal, jazz, punk, noise, and free improv into a guitar style uniquely his own. He also plays banjo in a way that might put all those jokes to rest. He has an amazing new record out with Mike Watt and percussionist, Mike Pride, Stove Top [Rare Noise], under the band name Three Layer Cake. Recorded remotely, it nevertheless sounds interactive and cohesive enough to be mistaken for live, save for the terrific textures and additional instruments they overdubbed. We talk about all of the above, the joys of the ZT amps, and more.

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Guitar Moderne Record Picks XXIV

A delightful combination of new and old faces. Stalwarts Stian Westerhus, Todd Clouser, Eyal Maoz, Álvaro Domene, and Killick Hinds join recent discoveries Colin Fisher, Dean Sanromieri, Craig Chin, and Jeremy Baysse for a spate of great sounding recordings. Lockdown or no lockdown, Covod or no Covid, music will be made!

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The Jonathan Crossley Interview

His work at the intersection of guitar and technology makes Jonathan Crossley an ideal interview for Guitar Moderne. If you are interested in looping, processing, guitar synthesizers, and other guitar-related modalities, don’t miss this one.

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The Blake Mills Interview

I have wanted to talk to Blake Mills, well forever, but especially since he recorded Look, a collection of instrumental pieces recorded almost entirely with old Roland guitar synthesizers. Since then he has used the synths on Mutable Set, a group of dark, intimate, minimalist songs that create a unique world. More recently, he busted out the guitar synth for a few moments in Notes With Attachments (see videos below), yet another unique-sounding record created in conjunction with world-class bassist, Pino Palladino. This time I contacted him through Instagram and we connected. Our conversation ranges far and wide, as Mills proves as thoughtful as he is musical.

 

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