The original Boss Slicer, the SL-20, was one of those pedals that was ahead of its time. Not enough guitarists were into the sequencer style sounds that it was capable of producing. Or, not into it enough to sacrifice the pedalboard space it required. With the release of the SL-2 compact version of the effect, Boss is betting that the increase of forward thinking guitarists, combined with the new compact size, will entice more people to slice.
Sorry I have fallen behind on posts. Big doings in the Guitar Moderne household. Great new recordings have been rushing in, so here is a long one to catch up. The usual suspects are here in unusual collaborations (Eivind Aarset, Bill Frisell), as well as undersung masters like Matt Stevens, Brandon Seabrook and others.
Despite periodic lockdowns around the world, recordings continue apace. Lots of new names this month, which bodes well for the state of modern guitar.
People talk about globalization as both a positive and a negative thing. Hassell’s work, like William Gibson’s later novels somehow embodies each aspect. Both artists create a feeling of dislocation: an example I use is that these days, when so many people use cell phones as their primary phones, you have no idea where anyone is calling from, despite their area code displaying itself to you.