Despite periodic lockdowns around the world, recordings continue apace. Lots of new names this month, which bodes well for the state of modern guitar.
Guitar Moderne Record Picks XXVIX
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Tag Archives: nu-jazz
Guitar Moderne Record Picks XXVII
The late September and October releases are piling up so it became obvious that I needed to let you know about these already available recordings ASAP. Old friends Tim Motzer, Tim Olive, Elliott and Jake Vossler have been busy, along with some new faces as well.
RIP Jon Hassell
People talk about globalization as both a positive and a negative thing. Hassell’s work, like William Gibson’s later novels somehow embodies each aspect. Both artists create a feeling of dislocation: an example I use is that these days, when so many people use cell phones as their primary phones, you have no idea where anyone is calling from, despite their area code displaying itself to you.
Guitar Moderne Festival XXV
It looks like things are opening up. But if you are like me—not quite ready to hang out around hundreds or thousands of people who may or may not have been vaccinated—you might prefer to stick with the Guitar Moderne virtual festival. Watch some newly available videos by legends Terje Rypdal and Bill Frisell, as well as great performances by A-team modern guitarists Mike Baggetta, Marc Ribot, and Eliot Sharp in the comfort of your disease-free home.
The Chris Sharkey Interview
Having published Guitar Moderne for over a decade, I remember when I had heard of most of the interesting modern guitarists out there. These days, there is a spate of names completely unknown to me coming over the transom (actually through email). Chris Sharkey is one, playing left-handed guitars strung standard, with chops to spare and a keen sense of composition. His new record, Presets on Not Applicable Records eschews flurries of notes for new sounds, moods, and textures. We dive deep into Ableton Live, the joys of noise, the London scene in the 2000s and the Leeds scene of today.