If there is a young guitarist you captures the Guitar Moderne ethos perfectly it is Nick Reinhart. In his work with Tera Melos and with Nels Cline in Big Walnuts Yonder he exhibits a spirit of musical experimentation and pushes the guitar’s sonic potential as far as it will go, with virtuosic technique and wry humor. Premier Guitar caught up with him when he came through Nashville and did an extensive rig rundown, revealing his fan bestowed nickname (no pun intended). Reinhart also reveals one of his sonic secrets. Spoiler alert: Superglue.
Rumors of this pedal have been flying around since 2015; it has appeared at the last two winter NAMM shows in various forms; but is only now available as Curt Malouin will release no pedal before its time. A while back we touted the Hologram Infinite Jets Resynthesizer as the ultimate modern guitar pedal, and for sheer variety of non-traditional sounds available in a single pedal it may still reign. But coming up fast is the Red Panda Tensor, with its more board-friendly size, MIDI capability, ease of use, and ease on the pocketbook.
Go to 7:27 to jump to the playing.
When I interviewed Nick Reinhart in 2015, he was thinking that his collaboration with Nels Cline, Mike Watt, and Greg Saunier would be out shortly. Over two and a half years later we are finally able to buy the modern guitar superstar extravaganza that is Big Walnuts Yonder. Nick and Mike Watt talk about the process and delay here. Nick has been called “Nels Cline’s younger punk rock brother,” and they work together here like musical brothers of different mothers. A must have for their interaction on Cline’s “Flare Star Phantom” alone.
Once upon a time, a couple of former Strymon and Line 6 folks got together and started making 500 Series rack modules under the name Meris. Eventually they started producing pedal versions of two of the modules. I saw one of those pedals, the Ottobit Jr., demonstrated back in January by Nick Reinhart and Juan Alderete on the great YouTube channel Pedals And Effects. It immediately struck me as potentially a perfect multi-effects pedal for Guitar Moderne readers. As luck would have it, in February, Nick introduced me by email to the Meris people who were kind enough to send one when the review models became available. I dove in and here are the results.
Two of my faves, Nick Reinhart on guitar and Source Audio’s Nemesis pedal on effects. Reinhart shows how the modern experimental guitarist can skip all the great traditional delay sounds produced by this pedal and go straight to the weirder more experimental sounds. In the spirit of Halloween, check out Reinhart’s release Scary Sounds from last year at this time.