When modern guitarist and 1K Records mogul, Tim Motzer gets together with modern jazz guitar legend Kurt Rosenwinkel and drummer Gintas Janusonis to perform as Bandit65, there is no written music, no songs, no plan. The three musicians jump off a cliff and create music from nothing as they fall. Except that they don’t fall. Working without a safety net, they float gently on currents of magical music, composed in the moment. Tim and Kurt were kind enough to talk to Guitar Moderne about their process and gear.
In this video, Dan Phelps explains how to use Ableton Live’s Looper with a MIDI footswitch.
To hold you until my Guitar Player interview comes out (where we focus more on the new record), here is a great interview with Mitch Gallagher at Sweetwater.
My years of making music in New York City coincided at various times with Elliot Sharp’s. Our musical worlds, however, rarely overlapped. I was playing blues and country music; accompanying singer-songwriters, both struggling and famous; and playing in pop bands that were trying to get record deals (my more avant-garde efforts would come later). Elliot, on the other hand, was at the nexus of all the art that was pushing the envelope during that period, and is still to this day. I never saw him perform live or met him until shortly before I left New York to move to Nashville in 2012, and then it was in a wonderful duo performance with Mary Halvorson.
If there is a young guitarist you captures the Guitar Moderne ethos perfectly it is Nick Reinhart. In his work with Tera Melos and with Nels Cline in Big Walnuts Yonder he exhibits a spirit of musical experimentation and pushes the guitar’s sonic potential as far as it will go, with virtuosic technique and wry humor. Premier Guitar caught up with him when he came through Nashville and did an extensive rig rundown, revealing his fan bestowed nickname (no pun intended). Reinhart also reveals one of his sonic secrets. Spoiler alert: Superglue.