Hybrid descriptions of music are often a lazy way to avoid digging deep into a band’s musical qualities and, as often, inaccurate. But to call the music of Tera Melos Punk/Prog/Math/Metal/Ambient/Noise is necessary to cover all the ingredients of the band’s cut and paste style. What makes this ADD pastiche work where others fail is the depth of Nick Reinhart’s technique. His seemingly limitless command over both his guitar and the array of pedals at his feet, combined with the bloodletting energy he brings to the stage, make every musical digression compelling. I first met the man described as “Nels Cline’s younger punk rock brother” at the Earthquaker booth at NAMM, improvising up a storm, and finally got him to talk to Guitar Moderne.