Polyrhythmic two-hand tapping, atmospheric loops, flowing fusion lines mixed with skronky noise—Lucas Brode does it all. This native of New York’s Hudson Valley, is a guitarist and composer who performs solo, leads his own jazz-fusion group, Spying, co-leads the Post-Rock/Math-Rock hybrid Hannibal Montana, and is an active performer and improviser in the New York City and Hudson Valley experimental music scenes.
Wow! Andy Summers! I got an email from the legendary guitarist’s publicist saying he was a fan of Guitar Moderne and would love to talk to the mag about his latest record, Metal Dog. When I picked myself up off the floor I contacted her and said, “Sure.”
It would be fair to say Summers was one of the rare players who changed the sound of the guitar in pop music. Echoes (no pun intended) of his style can be found in U-2, Rush, even Nirvana. For deep background, I recommend his book, One Train Later: A Memoir , and movie, Can’t Stand Losing You: Surviving the Police. A great site about his gear through the years is here, and he also discusses the subject in some of these videos.
With a limited time to talk, I chose to concentrate on the Metal Dog record, as it is a perfect example of everything Guitar Moderne stands for: pushing the sonic and conceptual boundaries of making music with a guitar.