Having published Guitar Moderne for over a decade, I remember when I had heard of most of the interesting modern guitarists out there. These days, there is a spate of names completely unknown to me coming over the transom (actually through email). Chris Sharkey is one, playing left-handed guitars strung standard, with chops to spare and a keen sense of composition. His new record, Presets on Not Applicable Records eschews flurries of notes for new sounds, moods, and textures. We dive deep into Ableton Live, the joys of noise, the London scene in the 2000s and the Leeds scene of today.
Despite the lockdown, modern guitar releases keep coming apace. Here is the latest bounty from Jessica Ackerley, Jo Jena, Nick Milevoi, Henry Kaiser, a couple of Tim Motzer records, and others. There is still time to get many of these releases on Bandcamp, where today all the proceeds go to the artists, but don’t let that stop you from buying them in subsequent days.
Mark Wingfield has found the key to seamlessly integrating traditional and modern electronic guitar sounds through his use of the Roland VG-88 and a Sustainiac pickup. We talk about that and more. Speaking of more, click on the more button for videos of Wingfield in action and more discussion of his gear and process.
A delightful combination of new and old faces. Stalwarts Stian Westerhus, Todd Clouser, Eyal Maoz, Álvaro Domene, and Killick Hinds join recent discoveries Colin Fisher, Dean Sanromieri, Craig Chin, and Jeremy Baysse for a spate of great sounding recordings. Lockdown or no lockdown, Covod or no Covid, music will be made!
His work at the intersection of guitar and technology makes Jonathan Crossley an ideal interview for Guitar Moderne. If you are interested in looping, processing, guitar synthesizers, and other guitar-related modalities, don’t miss this one.