I worked for Electro-Harmonix three times. Once in the mid 70s, once in the later 70s, and finally when I moved back to New York from San Francisco in the early 2000s. By the last time, DAWS and plugins were a thing and hardware effect companies were cashing in by licensing plugin versions of their products. I suggested to Mike Matthews that he consider turning some of his classic pedals into plugins. He wasn’t into it at the time but apparently has now decided to put a toe in the water. Starting with his flagship effect, the Big Muff, he has launched a hybrid pedal/plugin concept.
While many mainstream guitarists were bemoaning that live gigging was ramping up too slowly, avant-garde picker Seth Andrew Davis was doing 50 gigs in the first six months of 2022. Even more surprising, he is based not in the new music scene of Brooklyn but in Kansas City. How is this possible? Check out our conversation to find out.
See some of Davis’ performances below.
Unfortunately not a continuous video but any new Eivind in performance is welcome. Especially interesting because the airline lost his pedals and he had to make do with some borrowed effects. Further proof that the sound is in the mind, heart, and fingers of the player.
Sorry I have fallen behind on posts. Big doings in the Guitar Moderne household. Great new recordings have been rushing in, so here is a long one to catch up. The usual suspects are here in unusual collaborations (Eivind Aarset, Bill Frisell), as well as undersung masters like Matt Stevens, Brandon Seabrook and others.
FutureFret: Episode One is the first event in what Vernon Reid and Chris Buono hope to be an ongoing series. The event is this Saturday, May 14th, 2022 and will include a collective of panel discussions, masterclasses and live performances centered around forward-thinking concepts for the modern guitarist. Here is my interview with Vernon about the idea, its possibilities and many other things. Below that is an introductory video and the details.