Sorry I have been MIA. Dealing with health things (I am fine), Guitar Player assignments, and Lockdown brain. For now I offer this terrific roundtable set up by Rick Beato with some of todays most original rock players. Interesting perspectives for any guitarist, but especially for those who want to push the instrument to the next level.
If anyone has ever advanced the guitar it would Maestro McLaughlin. He has a great new record out, Liberation Time, made all the more amazing by being recorded remotely. While making the Zoom press rounds, he graciously agreed to talk to my humble publication. We talk Miles, Mustangs, and my favorite band of his with Joey De Francesco and Elvin Jones/Dennis Chambers.
Visionary Instruments’ MIDI controller guitar appeared at NAMM in recent years. Rob O’Reilly has apparently also been making instruments with MIDI control functions for at least five years but, it was only thanks to Pete Thorn mentioning the Paul David demo that I discovered this. David’s demo may leave you drooling and there are a bunch of video demos on the company site that make this instrument very appealing. At €2,990 (@$3500) it is not cheap but for the amount of tech seems quite reasonable. Let me know if you would like to see an interview with Mr. O’Reilly.
Click more for Rob himself demoing the features in depth.
People talk about globalization as both a positive and a negative thing. Hassell’s work, like William Gibson’s later novels somehow embodies each aspect. Both artists create a feeling of dislocation: an example I use is that these days, when so many people use cell phones as their primary phones, you have no idea where anyone is calling from, despite their area code displaying itself to you.
Having published Guitar Moderne for over a decade, I remember when I had heard of most of the interesting modern guitarists out there. These days, there is a spate of names completely unknown to me coming over the transom (actually through email). Chris Sharkey is one, playing left-handed guitars strung standard, with chops to spare and a keen sense of composition. His new record, Presets on Not Applicable Records eschews flurries of notes for new sounds, moods, and textures. We dive deep into Ableton Live, the joys of noise, the London scene in the 2000s and the Leeds scene of today.