Few guitarists attempt to improvise for a full set using minimal if any effects or prepared guitar implements. Keeping the music interesting and, well, musical for a forty minute set with nothing but a guitar and your fingers is not easy. Ken Aldcroft manages to do it through a thorough background in jazz, extended finger techniques like tapping and pinch harmonics, and a rooted sound that comes from the blues.
Spotlight: Ken Aldcroft
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