Stian Westerhus and Eivind Aarset were two of the main guitarists that led me to found Guitar Moderne. With their obvious technical skills, command of analog and digital effects, and rock star charisma, they made it easy to get excited about new forms of guitar playing. Stian has just released a recording of a live set from DOKK-huset in Trondheim Norway, available on Bandcamp. Even though half the performance is Westerhus processing his vocals, there is plenty of astounding guitar. If you purchase the audio recording, you get access to a beautifully shot video of the live performance. We talked about the record and many, many other things.
Catching up on a bunch of new releases. The variety and personality of modern guitarists continues to astound me, from Mary Halvorson’s angular smears to Xander Taylor’s Indian excursions. Ambitious well executed all. Stay safe and VOTE!
Mike Baggetta joins a rarified cohort of guitarists—Bill Frisell, Nels Cline, Eivind Aarset, and David Torn—where serious technical ability meets a mastery of sonics. His band mssv with bassist Mike Watt (Minutemen, fIREHOSE, The Stooges) and drummer Stephen Hodges (Mavis Staples, Tom Waits, David Lynch) has a new album out, so it seemed a good time to catch up. We talk about the difference between the first studio record, Wall of Flowers, and this one, and go deep into Baggetta’s bag of sonic tricks (check out the photos of his pedal setup).
When I first heard Raoul Björkenheim in his band Krakatau it was like hearing Hendrix as inspired by Coltrane. Björkenheim’s latest recording, Solar Winds [Long Song records] is, in fact, a Coltrane tribute on which his tone and go for broke playing style still recall Jimi. It has been six years since Guitar Moderne spotlighted the Finnish guitarist, so it seemed like time to catch up. Be sure to check out the recent performance videos as well.
As promised, modern guitarist legend Bill Frisell and I discuss his new Record “Valentine,” Covid brain, and playing live with no audience. We also compare Jazzmasters.