It is still looking like summer festival season will be cancelled. But fear not; you can count on Guitar Moderne to continue to supply virtual, germ-free festivals like this. Pandemic is creating new paradigms for performance. Solo looping, already popular, ensures social distancing from band members. Those musicians brave (or foolhardy—you be the judge) enough to play together in an enclosed space are often doing so without an audience save for a skeleton camera crew.
The rollout of the Poly Effects pedals has been one of the slowest in memory. It was at least three years ago that Loki Davison unveiled his concept for a modular, programable, touchscreen, pedal. Now that his concept seems to be finally hitting the street, we see that like some Source Audio pedals, the basic housing allows either pedal to perform the functions of the other. Here are a couple of demos outside the noisy NAMM environment that show some of the fascinating possibilities.
The new releases are piling up. Though live music shows are starting again, it is with limited audiences—hence limited money, so it would help these artists if you were to buy their recordings. Also, it will give you something to do all while we all wait this out.
In the current climate, it seems appropriate to present a live appearance by a band named after an African-American heroine. Guitarist Brandon Ross , drummer J.T. Lewis, and bassist Melvin Gibbs provide some great playing and fascinating interview.
When Jessica Ackerley performs with her clean Strat plugged straight into her amp, the accuracy and authority of her rapid-fire right hand is a thing of beauty. Her record A New Kind of Water [Bandcamp] made Guitar Moderne Record Picks XVIII based on her warm tones, advanced sense of space, and musical interaction. On the other side are the unique sounds she gets through her pedal board when performing in her noise-pop duo ESSi. The combination made talking to her a must.