Unfortunately not a continuous video but any new Eivind in performance is welcome. Especially interesting because the airline lost his pedals and he had to make do with some borrowed effects. Further proof that the sound is in the mind, heart, and fingers of the player.
FutureFret: Episode One is the first event in what Vernon Reid and Chris Buono hope to be an ongoing series. The event is this Saturday, May 14th, 2022 and will include a collective of panel discussions, masterclasses and live performances centered around forward-thinking concepts for the modern guitarist. Here is my interview with Vernon about the idea, its possibilities and many other things. Below that is an introductory video and the details.
Rafiq Bhatia is poised to become a force in modern guitar. His trio was the best guitar-based show at the last Big Ears Festival pre-Covid—and that festival included shows by David Torn and Bill Frisell! Check out his record “Breaking English.” He is also in a band called Son Lux that released a three record project in 2021: Tomorrows I,II,& III. If D’Angelo and Bowie had a baby, it might sound something like Son Lux. We talk about all this, and more. I suggest you go to here for his National Sawdust performance and our talk about it. I have posted the original interview I did with him for Electronic Musician below as well.
The American trumpeter and composer Jon Hassel’s sound influenced guitarists like Eivind Aarset and, well, me, as well myriad other musicians. He passed away on June 26, 2021. This year he would have turned 85 and to honor him Nasjonal jazzscene in Oslo, Norway put on a terrific memorial concert on his birthday, March 22.
It is great to hear these two old friends talk. Sharp elicits a different set of answers and bon mots than the ones that appeared in the Guitar Moderne interview, from a better rested Ribot.