Shahzad Ismaily is a multi-instrumentalist perhaps best known for his bass work with Marc Ribot’s Ceramic Dog. He has also worked with Laurie Anderson and Lou Reed, Tom Waits, John Zorn, Shelley Hirsch, Nels Cline, Graham Haynes, Billy Martin (of Medeski Martin and Wood), and Burnt Sugar, among many others. Thanks to Jam Pedals we have this fascinating interview.
The new releases are piling up. Though live music shows are starting again, it is with limited audiences—hence limited money, so it would help these artists if you were to buy their recordings. Also, it will give you something to do all while we all wait this out.
At NAMM 2020 back in January, the worst thing you had to worry about was getting NAMMthrax (or NAMMonia), that is, a bad cold from shaking all those hands. We live in different times now; hope you and yours are healthy.
What this year’s winter show lacked in number of interesting product debuts it made up for in decibels. Complaints were constant about being unable to hear the gear, or talk to the vendors. (You can experience this in some of the videos). That said, there were a few cool releases that should appeal to the modern guitarist. If April seems late for the roundup, consider that many of these products are just now shipping.
NAMM 2018 was even bigger than last year, yet much more manageable. The brand new ACC (Anaheim Convention Center) North building housed most of the high tech and pro audio stuff, allowing guitars and related products to be centralized in one area on the main floor of the original building. NAMM further reduced the spread by offering the new boutique manufacturers—previously relegated to downstairs Hall E—smaller, more affordable booths in the main guitar product ghetto. Thus, I was able to cover the show in two relaxed, rather than three grueling, days.
The new AAC North building
