The 2022 Guthman Musical Instrument Competition started with 26 semifinalists from 16 different countries. After an online showcase of the semifinalists, a committee of Georgia Tech faculty and public voting decided which creators would compete at the final stage. Nine advanced to the competition’s final round. They met on the Georgia Tech campus in Atlanta, Georgia, on March 11 and 12, 2022, to compete for $10,000 in prizes. While none of these won, they do indicate some possible future directions for making music with guitar skills.
His work at the intersection of guitar and technology makes Jonathan Crossley an ideal interview for Guitar Moderne. If you are interested in looping, processing, guitar synthesizers, and other guitar-related modalities, don’t miss this one.
Stian Westerhus and Eivind Aarset were two of the main guitarists that led me to found Guitar Moderne. With their obvious technical skills, command of analog and digital effects, and rock star charisma, they made it easy to get excited about new forms of guitar playing. Stian has just released a recording of a live set from DOKK-huset in Trondheim Norway, available on Bandcamp. Even though half the performance is Westerhus processing his vocals, there is plenty of astounding guitar. If you purchase the audio recording, you get access to a beautifully shot video of the live performance. We talked about the record and many, many other things.
I first interviewed Knox in 2014. He is a session guitarist who worked with the Psychedelic Furs, R.E.M, and others.. He toured with Siouxsie and the Banshees and Cyndi Lauper, and toured and recorded with Depeche Mode’s Dave Gahan. In 2012, Knox moved from New York City to Berlin, where he plays and teaches. We talk about the move, his evolution from rock guitarist to a roots-meets-iPad artist and his new project with Eric Mingus, Bursting Blue Bone Bark. We also discuss the brilliance of Chris Whitley, his unlikely dragooning into becoming a cellist, and more. Check out the performance videos either before or after watching the interview.
One upside of sheltering in place is that it has given me time to get back to playing guitar through my Laptop/iPad rig. I posted some video snippets on Facebook, which prompted some questions about my setup. You can read about some of my earlier experiences here. But the time seems ripe to reveal the results of some improvements in both my technique and the technology.