While perusing the latest edition of Electronic Musician, I chanced upon the Enos Looper by Audio Damage.Much as I love doing loops on my iPad with Simpler, Borderlands, and iDensity, I have been looking for a more basic looper to add to the iOS arsenal. I was intrigued enough to plop down $5.99 USD and check it out, only to learn that , while it can be used for basic looping and Frippertronics, ala the Ableton Live Looper, it is capable of much more. I recommend checking out the video. (It demos the plugin, but they are very close).
In the four years since we spotlighted Mike Baggetta he has been a busy man. He has relocated from New York City to Knoxville, Tennessee; played on David Torn’s Sun of Goldfinger record; gigged with Nels Cline playing lap steel (Cline on steel, not Baggetta), and released Wall of Flowers [Big Ego Records]. The last features a true supergroup power trio, ala a modern day Cream, as Baggetta, Mike Watt, and session legend, Jim Keltner join forces. Knoxville being relatively close to Nashville, Baggetta has been playing here quite a bit and took time before a gig at Rudy’s Jazz Club to come over and talk about Wall of Flowers and the joys of looping with a TimeFactor.
I can’t believe it has been four years since I spoke to Eivind Aarset, the guitarist largely responsible for sending me on this Guitar Moderne journey. Now is the perfect time, as he is featured on four new records. We spoke about three of them, and surprise, surprise, his first new guitar in, well, forever.
As advertised, Big Ears 2019 was a guitar extravaganza. My wife Liz and I were able to see Bill Frisell, David Torn, Mary Halvorson, Anthony Pirog, and Rafiq Bhatia, some of them multiple times, as well as other, non-guitar improvising legends and newcomers. Once again, venues like the Tennessee Theater, The Bijou Theater, The Standard, and The Mill and the Mine offered stellar sound quality and sight lines, and the local food was fabulous.
Sometimes it takes great modern players to demonstrate new ways in which the electric guitar can be used to creatively enhance the song form: Belew/Fripp in King Crimson, David Torn with David Bowie, Stian Westerhus with his band Pale Horses, and now Markus Schneider on his new record Widerspruch, where he intones evocative vocals over glitchy guitar. This Viennese guitarist contacted me and I checked out some live videos, where his cool Hofner immediately caught my eye. I decided an interview was in order.