Well, here they are: my ten faves from 2022; a little late (okay a lot late), but it would be a shame if you missed out on any of these terrific releases from the past twelve months. I urge you to go back through the Record Pick posts throughout the year to check out other fine recordings that didn’t make the cut. So, in no particular order.
If you are a modern guitarist you need to know about Rainger FX pedals. In the world of effects manufacturers, it sometimes seems that, not only are there too many versions of a tube screamer, but that even with the more modern effects, i.e. glitch, micro-loopers, etc., effects manufacturers are often releasing variations on a theme—not so David Rainger.
At first glance, his pedals can seem like some random gimmick, designed to be willfully different. Further investigation reveals that, for starters, their basic sounds are uniformly terrific: musical, lush, warm—all the usual coveted qualities. It’s just that on top of that Rainger has added functions that demand creativity, often inspired by non-guitar music like hip-hop and synth-based songs. It is a joy to watch his pedals force Mick and Dan into new sonic territory and the palpable joy it brings them. (Check out my review of the Mini Bar here)
I was pretty sure he would outlive me. He was only four years older and in better shape. I am having a hard time imagining a world without him.
He eschewed the “live fast, die young” credo held dear by so many of his rock star peers. He was about the work, when he deigned to work; often he preferred his hot rods. He was in that select club of musicians who grow, change, and experiment as they age: Jim Hall, Bob Dylan, Joni Mitchell, Miles Davis, I run out of names pretty quickly. He was the one that got away; the only player I would have loved to interview, or even meet, but never got the chance. (I did get to hold one of his guitars in the Hard Rock Cafe vault in London).
Happy New Year. My interview with Markus Reuter is long overdue. He has been a major part of the modern guitar community for decades, from his brilliant work with The Stickmen and versions of King Crimson, to his recordings ranging from ambient to prog, to his terrific podcast featuring a number of modern guitarists. He has worked with Tim Motzer, Adrian Belew, Robert Fripp and Mark Wingfield among others. Our conversation ranges wide and long, covering many things of interest to the modern guitarist.