I was pretty sure he would outlive me. He was only four years older and in better shape. I am having a hard time imagining a world without him.
He eschewed the “live fast, die young” credo held dear by so many of his rock star peers. He was about the work, when he deigned to work; often he preferred his hot rods. He was in that select club of musicians who grow, change, and experiment as they age: Jim Hall, Bob Dylan, Joni Mitchell, Miles Davis, I run out of names pretty quickly. He was the one that got away; the only player I would have loved to interview, or even meet, but never got the chance. (I did get to hold one of his guitars in the Hard Rock Cafe vault in London).
Happy New Year. My interview with Markus Reuter is long overdue. He has been a major part of the modern guitar community for decades, from his brilliant work with The Stickmen and versions of King Crimson, to his recordings ranging from ambient to prog, to his terrific podcast featuring a number of modern guitarists. He has worked with Tim Motzer, Adrian Belew, Robert Fripp and Mark Wingfield among others. Our conversation ranges wide and long, covering many things of interest to the modern guitarist.
There is a new YouTube channel that combines van life and guitar called Guitar Magic, with John Hammond interviewing guitar related people. His interview with Mike Baggetta offers insightful questions and answers. And here is a link to my own interview with this master of modern guitar.
One of the new generation of modern guitar masters interviews an OG. Fender presents Nick Reinhart interviewing and jamming with Thurston Moore of Sonic Youth fame, as well as a performance by Moore’s group. As a bonus, I include the EarthQuaker Devices series Show us Your Junk, featuring Reinhart wittily describing his massive collection of sound generating gear. PS: If you haven’t watched the HBO Max series, Irma Vep, it is worth it just for Moore’s creative score.
Sorry I have been a little MIA with Guitar Moderne but my wife and I recently sold our house and moved to France. Hopefully that means I will get to see some of the wonderful European guitarists that have been featured in the magazine. I am playing some catchup here, so if you sent me something that has already been released please remind me. In the meantime here are some relatively new releases, including a bunch from Ramble Records, which has become something of a go-to label for modern guitar artistry.