I first saw Brandon Ross with Cassandra Wilson back in the Nineties. His application of a jazz sensibility to Wilson’s Sarah Vaughn meets Joni Mitchell stylings was revelatory. I later learned about the amazing Harriet Tubman, his band with drummer J.T. Lewis and bassist Melvin Gibbs, but am sorry to say it was at a time when I was not ready for them. Delving into Ross’ work for this interview, I discovered that he embodies everything Guitar Moderne is about: personal style, adventurous playing, disregard for genre, and experiments with electronics. Our conversation ranged wide and very long. I tried to include the best bits here.