The 2022 Guthman Musical Instrument Competition started with 26 semifinalists from 16 different countries. After an online showcase of the semifinalists, a committee of Georgia Tech faculty and public voting decided which creators would compete at the final stage. Nine advanced to the competition’s final round. They met on the Georgia Tech campus in Atlanta, Georgia, on March 11 and 12, 2022, to compete for $10,000 in prizes. While none of these won, they do indicate some possible future directions for making music with guitar skills.
It is getting hard to keep up with all the terrific new releases. Modern guitar continues to make inroads in places as far-flung as Argentina, Switzerland, and Tasmania. The pandemic has resulted in works that are largely solo or remote collaborations, but no less successful than the in person collabs.
With acoustic guitars largely still based in centuries-old technology, there is rarely an opportunity to talk about them in Guitar Moderne. Thus, I was happy to feature the Lava guitar in my NAMM report a couple of years ago. The Asian-based manufacturer Lava presents more like a technology company than a luthier-based enterprise, but either in spite of that or because of it I find them intriguing.
It is great to hear these two old friends talk. Sharp elicits a different set of answers and bon mots than the ones that appeared in the Guitar Moderne interview, from a better rested Ribot.
Joe and I go back decades. He is responsible for jump-starting my career as a music journalist. He has played guitar with PJ Harvey, Tracey Chapman, and Tom Waits, been an editor at Guitar Player Magazine and Premier Guitar, worked on guitar-based things for Apple’s Logic, and designed pedals. He just released his terrific first solo record, Falling Through Time: Music From The 1300s. A collection of ancient music played on modern instruments. We talk about everything under the sun.