Spotlight: Tim Brady Part II

In February of 2019, I was flown up to Montreal to cover composer/guitarist Tim Brady’s evening of 150 guitars for Guitar Player. You can read my coverage and interview about that here and see a sample below. Inspired by my conversation with Dither’s James Moore, after we finished Tim’s GP interview, I restarted the recorder for a wide ranging dialogue about the state of the electric guitar in today’s classical world. We covered a lot of ground so I broke  it up into two posts. You can start with Part I here, but it is not necessary.

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Better Late Than Never: NAMM and Summer NAMM 2019

Life and website issues got in the way of doing timely NAMM reports this year. In my defense many of these products just started shipping a couple of months ago. As has become habit, there were hundreds of cool pedals on offer, mostly variations on pedals you have seen and heard.

With NAMM 2020 coming up, I thought I would do a listing of the things I saw last year that might be different and of more interest to the modern guitarist. The theme in January seemed to be the return of modulation (flange, chorus, and phase), fuzz/harmonizer combos, and guitar synth pedals. I am featuring only what I consider to be the most interesting takes on each. Please check company websites for details.

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Spotlight: Tim Brady Part I

In February of 2019, I was flown up to Montreal to cover composer/guitarist Tim Brady’s evening of 150 guitars for Guitar Player. You can read my coverage and interview about that here and see a sample below. Inspired by my conversation with Dither’s James Moore, after we finished Tim’s GP interview, I restarted the recorder for a wide ranging dialogue about the state of the electric guitar in today’s classical world. We covered a lot of ground so I am breaking it up into two posts. If you enjoy Part I, please subscribe to be notified when Part II is posted.

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Soundcloud Test

After numerous failed tries to post a new improvised track on Facebook, I am going to attempt to embed it here. Please fee free to comment on the music and/or on any problems and fixes you have encountered with Soundcloud and Facebook.

All sounds guitar generated, except the sample, which is from a radio station picked up by my Trombetta Feederbone when my guitar volume was al the off. Mmm…I guess you could call that guitar generated as well.

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Review: ZT Lee Ranaldo Club

I have been using ZT amps for well over a decade. When I was living in Manhattan, their Lunchbox was a godsend, allowing me to take the subway to gigs, avoiding traffic and parking issues. Now in Nashville, I still use the Lunchbox for living room rehearsals with a country band (Including drums). I have also done a couple of house concerts using two Lunchbox amps as a stereo PA for my “guitar-through-laptop-ambient-excursions.” So, I was excited to try out the new Lee Ranaldo Club.

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