Move over James Brown, Samo Salamon may go down in history as the hardest working man in show business. He has written over 300 compositions and recorded 35 albums as a leader to date. Last year Salamon recorded two terrific albums of Covid-required remote duets, and begins this year with an album of solo, acoustic guitar performances of works by Eric Dolphy. He has also posted over 150 YouTube interviews with a variety of jazz instrumentalists including modern guitarists, Bill Frisell, Nguyen Le, Joe Morris, Eivind Aarset, Elliott Sharp, Mary Halvorson, and others—all in roughly one year! I turn the interview tables on Samo in this fun session.
It seems that, prior to 2015, I was able to embed YouTube videos with http in the embed code. At some point since then YouTube and or Word Press decided that unless the code was https the videos would no longer appear. I assume this has something to do with security, so fine. I just had to go back and change all the http code to htttps, and now the videos are back again.
If you have visited any of those early posts and wondered where the videos were that is what happened. Feel free to revisit them and check out the videos. If you discover any missing videos post 2015, please let me know. Unfortunately, there is nothing I can do about the videos that say “No longer available.” Those have been taken down by YouTube, the artist or the manufacturer.
Despite periodic lockdowns around the world, recordings continue apace. Lots of new names this month, which bodes well for the state of modern guitar.
To honor the Maestro’s 80th birthday here is a 1998 concert where he sports my favorite of his guitars and uses my favorite sound, a kind of ring modulated tone, but with discernible pitches. We talk about this tone and that guitar in my interview with him reposted here as well. Coincidentally, Jim Beard quotes “Happy Birthday” in one of his early solos.
On the occasion of John’s birthday (which he shares with two of my other top five favorite guitarists: Robben Ford and Billy Gibbons, as well as with my wife), here is the remembrance I shared on the occasion of his death and a tune with his most avant of ensembles, Gateway.