Eventide’s H9 became one of those instant modern pedal classics like the Line 6 DL4 and the EHX POG. As it basically allowed only one effect at a time, it was not uncommon to see the boards of professionals and more well off amateurs sporting two. This week Eventide revealed the H90, the equivalent of two fully loaded H9s in one box for a bit less money. But the H90 is not only twin H9s; it has some tricks of its own, with new algorithms (notably polyphonic pitch shifting) and routing options. It apparently was an epic undertaking to put together such a complex product during Covid, but that just adds to the Eventide legend.
Tim Brady is at the top of a small cadre of guitarists composing what might be called modern classical or new music for electric guitar. His pieces include ones for solo electric and loopers, 100 and 200 electric guitars, electric guitar and orchestra, electric guitar quartet, electric guitar and voices…you get the idea. Check out out our previous chat here and here. And get the new three album set, Actions Speak Louder, here.
For over two decades of world touring, nine solo soundscape albums, and collaborations including over 100 albums of credits, Tim Motzer has been known for his distinctive textural acoustic-electro guitar voice utilizing looping, bowing, electronics, and prepared techniques. He has collaborated with numerous musical luminaries including David Sylvian, Burnt Friedman, poet Ursula Rucker, King Britt, Jamaaladeen Tacuma, Vernon Reid, David Torn, Markus Reuter, J.A. Dino Deane, and Pat Mastelotto, among others. Since 2016, Tim has toured the world playing prestigious venues and jazz festivals with Bandit65, an improvising trio he co-leads with guitarist Kurt Rosenwinkel and drummer Gintas Janusonis.
Tim has brought his projects together under his own 1k Recordings imprint. We talk about that and much of the above as well.
In my video intro I say I first saw Gerry Leonard with Jonatha Brooke in in San Francisco. I might be wrong about that, but once I moved back to New York I saw him often in his guise as Spooky Ghost, both solo and with an amazing band, performing feats of looping magic while singing haunting, Gaelic-tinged, original songs. One of those nights, in a tiny Tribeca club, I found myself sitting practically on top of David Bowie as he checked Leonard out for his band. The rest is history as Gerry went on to be musical director for David Bowie’s Reality Tour and have his guitar featured on Bowie records, “Heathen,” “Reality,” and “The Next Day.” We discuss that fateful night and much more.
Sarah Lipstate has become something of a modern guitar superstar. Between opening for major acts, demoing the coolest products at NAMM, and her raft of distinctive ambient records as Noveller, she has proved a master (mistress?) of the looper. Her records reveal a serious composer, and through her Instagram page has proved she can geek out about gear with the best of them. Here she talks about how she made the excellent Arrow, which you should pick up immediately at Bandcamp.