Can’t wait to see this guy at Big Ears in March.
The guys from Sweetwater demo a bunch of pedals that will help you create synthesizer sounds without having to learn to play keyboards. As comprehensive as this is, it just scratches the surface. Look for more pedals that create synth-like sounds soon a Guitar Moderne.
Sarah Lipstate has been a unique voice in modern guitar ever since she went solo as Noveller and began her distinctive looping performances. You can get the back story in my first Guitar Moderne interview, as well as in the one I did for Guitar Player . Much has happened in Noveller-land since then, so on the occasion of the release, A Pink Sunset for No One, it seemed time to sit down with her and find out how she has taken the one-time niche of guitar looping to the big stage with the likes of St. Vincent and Iggy Pop. An admitted gear-junkie, we delve into the goodies she is using, (spoiler alert: like Eno she eschews the comfort of the familiar for the excitement of experimentation.) But Sarah was also candid about her artist’s journey: how she came to these extraordinary opportunities, and why she decided to forsake Brooklyn for Los Angeles.
Things have been so busy I just got around to checking out the SpaceTime algorithm that showed up in my February H9 Max app update. In addition, since my H9 Max review I have had my main pedalboard rewired, replacing the Electro-Harmonix Ring Thing with the Maxed out H9. The H9 covers all the sounds the Ring Thing provided—octaves, “baritone,” “Leslie,” “12-string,” ring modulation, and, of course, the H9 does so much more. Consequently, now seemed like a good time for an update on this amazing pedal. Since Brett Kingman did such a good job of demoing the various SpaceTime presets, I offer his video, and then will discuss my experience with the new algorithm, as well as how the H9’s pre and post routing feature came in handy on my board.
One of the joys of producing Guitar Moderne is discovering guitarists who embody the elements of music I find personally attractive: great tones, a sense of melody, and an adventurous spirit. Samuel Hällkvist covers these bases and more. Through a daunting number of solo and band projects he explores new sounds and King Crimson-like interlocking time signatures in music that ranges from aggressive, staggered rhythms to ethereal soundtracks and combinations of the two.