If there is a young guitarist you captures the Guitar Moderne ethos perfectly it is Nick Reinhart. In his work with Tera Melos and with Nels Cline in Big Walnuts Yonder he exhibits a spirit of musical experimentation and pushes the guitar’s sonic potential as far as it will go, with virtuosic technique and wry humor. Premier Guitar caught up with him when he came through Nashville and did an extensive rig rundown, revealing his fan bestowed nickname (no pun intended). Reinhart also reveals one of his sonic secrets. Spoiler alert: Superglue.
Eivind Aarset tears it up with a trio in Prague. A little amuse bouche for Thanksgiving celebrators.
EarthQuaker Devices corralled Nels for their Board to Death series. He talks about and demonstrates his gear alternating between brilliant playing and hilarious commentary.
In contrast to the increased size of Winter NAMM 2018, this year’s Summer NAMM in Nashville seemed a bit smaller than last year’s event with fewer big product unveilings. The fare skewed traditional rather than cutting edge, even more so than usual. That said there were some cool new offerings worthy of mention.
Sometimes you start listening to a recording and instantly know you are hearing something special. On the ECM release, White, guitarist Marc Sinan joins Oğuz Büyükberber on clarinet, bass clarinet for a series of partly composed, partly improvised duets. And when I say joins, I mean joins; rarely have I hear two artists so in synch they sound like a single consciousness. Sinan augments his custom-made electric with intermittent real-time processing, and extended techniques positioned to add maximum emotional weight. Sinan discusses his unique take on “classical” music combined with improvisation.