Whether performing acoustic dronefests with the latest Paul Vo technology, or jamming with his band Pocketful of Claptonite on his fretted, fretless, or micro-fretted Teuffel, Toone, or New Complexity Harmonic Isolator instruments, Killick Hinds defines the modern guitarist. The Athens, Georgia resident performs steadily locally and sporadically elsewhere in a variety of improvising situations. Here he articulately discusses the foundations and process of his art and the tools with which he creates it.
We have entered an age where guitarists often abandon notes for the musical manipulation of pure sound. Stian Westerhus is one, and Julien Desprez is another. Like Westerhus, the French guitarist is in such solid command of his effects that they become a musical instrument when combined with his manipulation of strings, slams on the guitar body, and twists of the instrument’s volume knob. Almost more amazing than Desprez solo, is how he integrates these sounds into such a wide variety of musical contexts.