This pioneer of modern guitar remained relevant throughout his life. He sounds right at home with Laswell, Jack DeJohnette and Co. Also, with DJ Ninja’s Drum & Bass, and of course, with David Sylvian.
When Jessica Ackerley performs with her clean Strat plugged straight into her amp, the accuracy and authority of her rapid-fire right hand is a thing of beauty. Her record A New Kind of Water [Bandcamp] made Guitar Moderne Record Picks XVIII based on her warm tones, advanced sense of space, and musical interaction. On the other side are the unique sounds she gets through her pedal board when performing in her noise-pop duo ESSi. The combination made talking to her a must.
It is looking like summer festival season will not be virus-free. Most, if not all have been cancelled. Fortunately, you can count on Guitar Moderne to supply virtual festivals like this to enjoy in the air-conditioned, porta-potty and germ-free comfort of your home. This is a long one, but hey, what else have you got to do?
For over three decades, a grounding in traditional electric guitar styles has informed Andreas Willers’ excursions into avant-garde guitar, from his first recordings on the FMP label, through years of playing with an array of modern masters like Jim Black, Paul Bley, Mark Dresser, Marc Ducret, Mark Feldman, Trilok Gurtu, Dave Liebman, David Murray, Glen Moore, Bobby Previte, Tom Rainey, Enrico Rava, Herb Robertson, Elliot Sharp, Ches Smith, and many more.
I am trying desperately to catch up with all the terrific music being brought to my attention. Here is a wide spectrum of interesting modern guitar, including a pair of solo recordings from Bill Frisell: one new and one you may have overlooked—I had.