The Anthony Pirog Interview II

Anthony Pirog is a modern guitar hero on the level of his heroes Bill Frisell, Nels Cline, et al. In some ways he transcends them in his ability to deftly navigate a variety of genres—Jazz, Rock, Noise, Country, Ambient—genuinely but with his own take. At the time of this interview, his latest release is a collection of ambient guitar duos with Nels Cline, John Frusciante, Luke Stewart, Andy Summers, Janel Leppin, Brandon Ross, Wendy Eisenberg and Ryan Ferreira called on Otherly Love Records called The Nepenthe Series Vol. I.

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The Adam Levy Interview

Adam Levy and I go back decades and it was a pleasure to talk to him about how he developed his distinctive voice, what makes a modern guitarist, and more. For more about Adam’s history and great gear talk, click “more” to watch his interview with my friend Zac Childs.

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Oz Noy Honors Monk

One commenter on this video laments Oz Noy’s use of effects for this tune as self-indulgent.  What they apparently fail to understand is that by pushing the sounds into the future, Oz is honoring another pioneer. Thelonious Monk was often misunderstood during his lifetime by people who wanted to keep hearing the basic swing of an Oscar Peterson or an Earl Hines. Many performers of Monk tunes over the years miss the spirit of his quirky style and merely play standard bebop and blues licks over the changes (Bill Frisell being a notable exception). Oz’s work here displays a mastery of modern effects, as well as blazing chops.

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Swollen Brain: Nick Reinhart and Eric Gardner—The Cardboard Sessions.

I have seen Nick Reinhart improvise brilliantly with a set of pedals he was handed less than an hour before. Here, he and Gardner pull off an improv that sounds like a fully composed piece, with Nick using a guitar made of cardboard (including the neck). Check it out, as well as a video on the making of this unusual instrument.


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The Genius of Rainger FX

If you are a modern guitarist you need to know about Rainger FX pedals. In the world of effects manufacturers, it sometimes seems that, not only are there too many versions of a tube screamer, but that even with the more modern effects, i.e. glitch, micro-loopers, etc., effects manufacturers are often releasing variations on a theme—not so David Rainger.

At first glance, his pedals can seem like some random gimmick, designed to be willfully different. Further investigation reveals that, for starters, their basic sounds are uniformly terrific: musical, lush, warm—all the usual coveted qualities. It’s just that on top of that Rainger has added functions that demand creativity, often inspired by non-guitar music like hip-hop and synth-based songs. It is a joy to watch his pedals force Mick and Dan into new sonic territory and the palpable joy it brings them. (Check out my review of the Mini Bar here)

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