If you are a modern guitarist you need to know about Rainger FX pedals. In the world of effects manufacturers, it sometimes seems that, not only are there too many versions of a tube screamer, but that even with the more modern effects, i.e. glitch, micro-loopers, etc., effects manufacturers are often releasing variations on a theme—not so David Rainger.
At first glance, his pedals can seem like some random gimmick, designed to be willfully different. Further investigation reveals that, for starters, their basic sounds are uniformly terrific: musical, lush, warm—all the usual coveted qualities. It’s just that on top of that Rainger has added functions that demand creativity, often inspired by non-guitar music like hip-hop and synth-based songs. It is a joy to watch his pedals force Mick and Dan into new sonic territory and the palpable joy it brings them. (Check out my review of the Mini Bar here)
Unfortunately not a continuous video but any new Eivind in performance is welcome. Especially interesting because the airline lost his pedals and he had to make do with some borrowed effects. Further proof that the sound is in the mind, heart, and fingers of the player.
From the company’s inception, the folks at Meris have had their own take on pedal creation. Elegant packaging and interfaces have been a hallmark. They have outdone themselves with the LVX, however. In addition to the futuristic GUI, bit crushing and granular effects make this not your father’s delay pedal. They also include a tuner so you can take that pedal off your board help make room for this one.
The American trumpeter and composer Jon Hassel’s sound influenced guitarists like Eivind Aarset and, well, me, as well myriad other musicians. He passed away on June 26, 2021. This year he would have turned 85 and to honor him Nasjonal jazzscene in Oslo, Norway put on a terrific memorial concert on his birthday, March 22.
One of the best and most interesting guitarists on the New York scene (which means anywhere), Brandon Seabrook combines elements of metal, jazz, punk, noise, and free improv into a guitar style uniquely his own. He also plays banjo in a way that might put all those jokes to rest. He has an amazing new record out with Mike Watt and percussionist, Mike Pride, Stove Top [Rare Noise], under the band name Three Layer Cake. Recorded remotely, it nevertheless sounds interactive and cohesive enough to be mistaken for live, save for the terrific textures and additional instruments they overdubbed. We talk about all of the above, the joys of the ZT amps, and more.