I occasionally play a party game with friends. I posit, “Everybody laments musicians who die young, like Jimi Hendrix, John Lennon, Janis Joplin, et al, saying, ‘What might they have accomplished if they had lived.’” I then say, “Name as many musical artists as you can, who lived and have continued to grow and be creative.” My list tends to be short: Dylan, Joni Mitchell, Neil Young, Jeff Beck, Jim Hall (while he was alive), Pat Metheny, maybe one or two more. It occurred to me today, as I learned of David Bowie’s death, that I never included him. On reflection, I realized it was because the fact that he would continue to grow and change as an artist as he aged was so obvious it didn’t bear mentioning.
Guitarist David Torn has earned his place on the Guitar Moderne Pioneer banner through years of pursuing the outer reaches of the instrument’s sonic possibilities, through releases like Best Laid Plans, What Means Solid Traveller, Splattercell, and Prezens as well as collaborations with the likes of David Bowie, David Sylvian, and Meshell Ndegeocello. He has parlayed his talent for evocative textures into soundtrack work on films like Friday Night Lights, The Big Lebowski, Traffic, and Three Kings, as well as his Grammy-nominated score for The Order.
In honor of Torn’s new, completely solo record Only Sky [ECM] and the ensuing tour (see dates below) here is Part 1 of an epic, sprawling interview I began in Brooklyn last year and plan to continue in Baltimore this June. Also, look for my Guitar Player interview coming in June or July. Part 1 is highly edited but, I hope, still reflects Torn’s free-range approach to relating the details of his life in music.
They tell me those kinds of headlines attract web traffic, but I believe this actually may be the ultimate Reeves Gabrels interview. An occasional resident of Nashville, the former Bowie, current The Cure guitarist was able to sit down with me for two extensive sessions, during which he was courageously candid about his life, exquisitely detailed about his gear, and immensely interesting in his ideas about music and the art of making it. His new record, Reeves Gabrels & His Imaginary Friends, is a brilliant example of building on the classic blues roots of rock’s yesteryear to create music as modern as tomorrow. So, without further ado: The Ultimate Reeves Gabrels Interview.
Adrian Belew’s six minute intro to David Bowie’s “Station to Station” on tour in 1978 sounds modern today. Those of you under 45 can only imagine how it sounded then.
Our holiday present to Guitar Moderne readers is the fifth version of the Guitar Moderne Festival. This one features famous pickers (Adrian Belew, Reeves Gabrels), and lesser known players (Shawn Perlowin, Chris Michetti) who should be better known. While you have time off enjoy these stellar examples of the art of guitar.
Adrian Belew full concert rockpalast 11-03-2008