The American trumpeter and composer Jon Hassel’s sound influenced guitarists like Eivind Aarset and, well, me, as well myriad other musicians. He passed away on June 26, 2021. This year he would have turned 85 and to honor him Nasjonal jazzscene in Oslo, Norway put on a terrific memorial concert on his birthday, March 22.
The 2022 Guthman Musical Instrument Competition started with 26 semifinalists from 16 different countries. After an online showcase of the semifinalists, a committee of Georgia Tech faculty and public voting decided which creators would compete at the final stage. Nine advanced to the competition’s final round. They met on the Georgia Tech campus in Atlanta, Georgia, on March 11 and 12, 2022, to compete for $10,000 in prizes. While none of these won, they do indicate some possible future directions for making music with guitar skills.
Hands down, the best part of Summer NAMM was running into Benn Jordan. A candidate for The World’s Most Interesting Man, He plays guitar upside down, has a great YouTube channel, performs in front of thousands as Flashbulb, and is a Mixed Marshal Artist. He recently posted this video describing his laptop-free setup for performing his music, a mixture of jazz, metal, electronica, and beats.
The traditional product release cycle is a thing of the past. Thanks to the internet and YouTube, companies are no longer bound to the standard of unveiling major releases at the January NAMM show. Though Boss was not at the Summer show, they picked a time that coincided with the Nashville exhibition to unveil two new products that should be of special interest to modern guitarists: a guitar with their SY synth technology built in, the EURUS GS-1 Electronic Guitar; and a bluetooth expression pedal, the EV-1-WL Wireless MIDI Expression Pedal.
Here are a couple of comprehensive looks at these innovative devices:
His work at the intersection of guitar and technology makes Jonathan Crossley an ideal interview for Guitar Moderne. If you are interested in looping, processing, guitar synthesizers, and other guitar-related modalities, don’t miss this one.