In addition to sharing his own story with Guitar Moderne, Henry Kaiser was kind enough to conduct an interview with the wildly, underappreciated Tisziji Muñoz. A true pioneer of modern guitar. Though fleetingly mentioned here, in addition to his many accomplishments in the world of spiritually driven music Tisziji Muñoz served as a mentor to Paul Shaffer (yes that Paul Shaffer). That fact will become less surprising when you come across the traces of humor in his extensive discourse on music and the spirit. Prepare to meet Mr. Muñoz.
Confession: I was not a Mahavishnu Orchestra fan. There I said it. Oh, I recognized the technical excellence and the energy of the playing, and the groundbreaking new melding of jazz and rock. But, for me, as jazz it didn’t swing and as rock I couldn’t get past McLaughlin’s note-y style and what I considered an inferior guitar tone to legends like Clapton, Beck and Hendrix. In fact, I never really got into the British jazz legend and fusion pioneer until his Coltrane tribute album, After the Rain, with Elvin Jones and Joey DeFrancesco. I loved the sound of his full-bodied archtop through a chorus and his use of the Bigsby to make the end of notes fall off plaintively.