After the encouragingly enormous but exhausting winter NAMM, the relative Southern sleepiness of the summer edition was welcome. As usual, it was largely guitar oriented, tending towards traditional, with variations on of vintage guitars, amps, and effects in abundance. There were, however, a few examples of forward thinking.
The award for coolest gear at the show has to go to the Coppersound Telegraph Stutter. Perhaps modern only in a steampunk sense, it is still such a great idea sonically and aesthetically that it wins hands down. See the rest of the report for some of their other offbeat pedal concepts.
The GM spotlight was focused on sampling pioneer/lap steel dulcimer player, J.A. “Dino” Deane in the Instant Takemitsu post a few years ago. It seemed appropriate to spend more time with him on the eve of his new release Zen Noir, on which he directs theOut of Context ElectricGuitar Choir, made up of six guitarists and two percussionists, using a method called Conduction.
Conduction, developed by the late cornetist/composer Lawrence D. “Butch” Morris, is a vocabulary of signs and gestures transmitted by a conductor to an orchestra, providing instantaneous possibilities for altering or initiating harmony, melody, rhythm, articulation, phrasing or form—a kind of middle path between notation and improvisation. Given that Conduction is all about gesture, it made sense to post my Skype interview with Deane, so he could demonstrate some of the signs employed. I urge you to check out this video where he explains how this new method of music performance works and expounds brilliantly on a variety of musical subjects. He was also kind enough to revisit the GM questionnaire and provide an update on his live performance gear.