If anyone has ever advanced the guitar it would Maestro McLaughlin. He has a great new record out, Liberation Time, made all the more amazing by being recorded remotely. While making the Zoom press rounds, he graciously agreed to talk to my humble publication. We talk Miles, Mustangs, and my favorite band of his with Joey De Francesco and Elvin Jones/Dennis Chambers.
Unlike a magnetic pickup, which translates the vibrations of the guitar strings into electronic sound, a contact microphone senses audio vibrations through direct contact with an object. The contact mic can be a boon for the modern guitarist, as a way of allowing direct translation of body vibrations, or amplifying the sound of picking behind the bridge or nut in a more direct way.
Tim Brady is at the top of a small cadre of guitarists composing what might be called modern classical or new music for electric guitar. His pieces include ones for solo electric and loopers, 100 and 200 electric guitars, electric guitar and orchestra, electric guitar quartet, electric guitar and voices…you get the idea. Check out out our previous chat here and here. And get the new three album set, Actions Speak Louder, here.
This month our Picks runneth over. Covid has been unable to stifle those who were born to create. Solo projects and remote collaborations abound, but group projects are finding their way into the mix as well. We start off with Sonar’s Stephen Thelen and all-star guests.
People talk about globalization as both a positive and a negative thing. Hassell’s work, like William Gibson’s later novels somehow embodies each aspect. Both artists create a feeling of dislocation: an example I use is that these days, when so many people use cell phones as their primary phones, you have no idea where anyone is calling from, despite their area code displaying itself to you.