NAMM 2018 was even bigger than last year, yet much more manageable. The brand new ACC (Anaheim Convention Center) North building housed most of the high tech and pro audio stuff, allowing guitars and related products to be centralized in one area on the main floor of the original building. NAMM further reduced the spread by offering the new boutique manufacturers—previously relegated to downstairs Hall E—smaller, more affordable booths in the main guitar product ghetto. Thus, I was able to cover the show in two relaxed, rather than three grueling, days.
This guitar shares the silhouette of various ’60s Harmony and Silvertone releases, like the ones played by Annie “St Vincent” Clark The original 1478 had the now coveted “harp” style gold foil pickups, but vintage tone lovers will not be disappointed with the reissue’s pickups. They show some of the character and punch of the gold foils, but with sound of their own.
Annie Clark is an amazing, unique guitarist who derives much of her matchless style from the fact that she comes up with guitar parts away from the instrument and then learns them. Here is an interview I did for Guitar Player, and a video of her in action.