FutureFret: Episode One is the first event in what Vernon Reid and Chris Buono hope to be an ongoing series. The event is this Saturday, May 14th, 2022 and will include a collective of panel discussions, masterclasses and live performances centered around forward-thinking concepts for the modern guitarist. Here is my interview with Vernon about the idea, its possibilities and many other things. Below that is an introductory video and the details.
When I was checking out Source Audio’s Ultra Wave distortion pedal, I found the compression options available with the Neuro Editor alone made it worth the price. That flexibility is built into the company’s new Atlas Compressor.
Compression can be a complicated, confusing effect, and plugging the Atlas into its Neuro Editor can be daunting, but just fiddling with the options reveals many of the sonic secrets professional users of compression have known for years. Most modern guitarists know how compression brings heavily reverbed and delayed volume swells alive. Check out these videos for more elucidation about this essential effect.
Rafiq Bhatia is poised to become a force in modern guitar. His trio was the best guitar-based show at the last Big Ears Festival pre-Covid—and that festival included shows by David Torn and Bill Frisell! Check out his record “Breaking English.” He is also in a band called Son Lux that released a three record project in 2021: Tomorrows I,II,& III. If D’Angelo and Bowie had a baby, it might sound something like Son Lux. We talk about all this, and more. I suggest you go to here for his National Sawdust performance and our talk about it. I have posted the original interview I did with him for Electronic Musician below as well.
The American trumpeter and composer Jon Hassel’s sound influenced guitarists like Eivind Aarset and, well, me, as well myriad other musicians. He passed away on June 26, 2021. This year he would have turned 85 and to honor him Nasjonal jazzscene in Oslo, Norway put on a terrific memorial concert on his birthday, March 22.
The 2022 Guthman Musical Instrument Competition started with 26 semifinalists from 16 different countries. After an online showcase of the semifinalists, a committee of Georgia Tech faculty and public voting decided which creators would compete at the final stage. Nine advanced to the competition’s final round. They met on the Georgia Tech campus in Atlanta, Georgia, on March 11 and 12, 2022, to compete for $10,000 in prizes. While none of these won, they do indicate some possible future directions for making music with guitar skills.