Unlike a magnetic pickup, which translates the vibrations of the guitar strings into electronic sound, a contact microphone senses audio vibrations through direct contact with an object. The contact mic can be a boon for the modern guitarist, as a way of allowing direct translation of body vibrations, or amplifying the sound of picking behind the bridge or nut in a more direct way.
This month our Picks runneth over. Covid has been unable to stifle those who were born to create. Solo projects and remote collaborations abound, but group projects are finding their way into the mix as well. We start off with Sonar’s Stephen Thelen and all-star guests.
People talk about globalization as both a positive and a negative thing. Hassell’s work, like William Gibson’s later novels somehow embodies each aspect. Both artists create a feeling of dislocation: an example I use is that these days, when so many people use cell phones as their primary phones, you have no idea where anyone is calling from, despite their area code displaying itself to you.
Despite the lockdown, modern guitar releases keep coming apace. Here is the latest bounty from Jessica Ackerley, Jo Jena, Nick Milevoi, Henry Kaiser, a couple of Tim Motzer records, and others. There is still time to get many of these releases on Bandcamp, where today all the proceeds go to the artists, but don’t let that stop you from buying them in subsequent days.
From the Greek geniuses who brought you the classic fuzz emulations of the Constellation pedal, comes the Crazy Tube Circuits Cylclone. As this video demonstrates they have managed to conjure scary simulacra of some classic phase shifters, including MXR’s Pase 45 and 90 pedals, the Electro-Harmonix Small Stone, and others.