For over two decades of world touring, nine solo soundscape albums, and collaborations including over 100 albums of credits, Tim Motzer has been known for his distinctive textural acoustic-electro guitar voice utilizing looping, bowing, electronics, and prepared techniques. He has collaborated with numerous musical luminaries including David Sylvian, Burnt Friedman, poet Ursula Rucker, King Britt, Jamaaladeen Tacuma, Vernon Reid, David Torn, Markus Reuter, J.A. Dino Deane, and Pat Mastelotto, among others. Since 2016, Tim has toured the world playing prestigious venues and jazz festivals with Bandit65, an improvising trio he co-leads with guitarist Kurt Rosenwinkel and drummer Gintas Janusonis.
Tim has brought his projects together under his own 1k Recordings imprint. We talk about that and much of the above as well.
Leo Abrahams has led what is possibly the ideal modern guitarist’s life: touring Russia performing improvised solo shows through a laptop; playing with Brian Eno AND Bryan Ferry, not to mention Imogen Heap, Jarvis Cocker, and Paul Simon; as well as co-writing or arranging a variety of film soundtracks, including Peter Jackson’s The Lovely Bones and Steve McQueen’s Hunger. Last year he was part of two terrific recorded projects, Visitations, a series of guitar duets with Shahzad Ismaily; and Krononaut (listen to tracks below), a record of improvisations with drummer Martin France, bassists Tim Harries and Shahzad Ismaily, Arve Henriksen on trumpet, and Matana Roberts on saxophone. For more background I recommend our first interview here, and our later conversation here .
The pedal world is rife with cryptic stompbox names that give no clue to what the pedal is or does. While the name on EarthQuaker’s new pedal, Astral Destiny, doesn’t specifically mention that it is a reverb, it’s description “An Octal Octave Reverberation Odyssey” does accurately represent the feelings this device will evoke: a literally awe inspiring trip through the cosmos. There are plenty of pedals with “shimmer” functions out there, but with its octave up and down options, and its stretch feature, which doubles the reverb length while adding an adjustable pitch bending effect, Astral Destiny carves out its own place in the firmament. A must for ambience lovers, it is also just a great sounding reverb. Thankfully it allows presets, as you are quite likely to find at least eight sounds you won’t want to lose. (See “more” for specs).
When Stian Westerhus posted on his Facebook page about participating on a new record it sent me down a rabbit hole that led to one of the best modern improvising ensembles I have ever seen. One of Belgian drummer Teun Verbruggen’s many projects is a quartet called Warped Dreamer, featuring himself on drums and electronics, Arve Henriksen on trumpet and electronics, Stian on guitar and electronics, and Jozef Dumoulin on Fender Rhodes and electronics. These videos from 2014 show how four top-notch instrumentalists, who are also highly conversant with the use of processing and electronics, can come together to make dynamic, boundry-less but cohesive music. Beautifully shot and recorded, it is a shame that it doesn’t exist as an unedited whole, if only because it feels like a few minutes are missing here and there. Still, it is necessary viewing for any modern guitarist. Look for the new record on Consouling Sounds February 26.