BOSS just introduced the SY-1000 Guitar Synthesize an advanced synthesizer and modeling processor for guitar and bass. It appears to be a hybrid of the SY-100 synth, and the GP-10, with some Roland VG 99 thrown in. But wait, there’s more!
With the holidays coming, you may have some extra time and/or need to retreat to another room while the family argues about politics. These should keep you busy. Featuring Nick Reinhart playing jazz?!), Ava Mendoza, Bob Lanzetti, Keisuke Matsuno, and others.
David Binney Nick Reinhart Justin Brown Eric Revis Chris Fishman Blue Whale 1st Set Full
In Part I Dither co-founder Taylor Levine and I discussed the quartet’s origin and the concept of “good” guitar tone in a New Music/Modern Classical context. Here we delve deeper into the record, Potential Differences, guitarist’s process and gear, as well as some other projects of which he is part.
Last year, I interviewed James Moore from the Dither Guitar Quartet around the time he released his record performing the entirety of John Zorn’s The Book of Heads. This set me on a path examining the place of the electric guitar in contemporary “classical” music. I recently posted a two-part interview with Tim Brady, where we discussed this fascinating (at least to me) subject. With this month’s release of Dither’s fantastic record, Potential Differences [New Focus Recordings], I deemed it time to talk to one of the Quartet’s founders, Taylor Levine, about how they manage to make the electric guitar sound like a natural vehicle for modern composed music. Again, the conversation ranged wide and so there will be a Part II. Please subscribe to find out when the post goes up.