The late September and October releases are piling up so it became obvious that I needed to let you know about these already available recordings ASAP. Old friends Tim Motzer, Tim Olive, Elliott and Jake Vossler have been busy, along with some new faces as well.
Visionary Instruments’ MIDI controller guitar appeared at NAMM in recent years. Rob O’Reilly has apparently also been making instruments with MIDI control functions for at least five years but, it was only thanks to Pete Thorn mentioning the Paul David demo that I discovered this. David’s demo may leave you drooling and there are a bunch of video demos on the company site that make this instrument very appealing. At €2,990 (@$3500) it is not cheap but for the amount of tech seems quite reasonable. Let me know if you would like to see an interview with Mr. O’Reilly.
Click more for Rob himself demoing the features in depth.
Unlike a magnetic pickup, which translates the vibrations of the guitar strings into electronic sound, a contact microphone senses audio vibrations through direct contact with an object. The contact mic can be a boon for the modern guitarist, as a way of allowing direct translation of body vibrations, or amplifying the sound of picking behind the bridge or nut in a more direct way.
This month our Picks runneth over. Covid has been unable to stifle those who were born to create. Solo projects and remote collaborations abound, but group projects are finding their way into the mix as well. We start off with Sonar’s Stephen Thelen and all-star guests.
People talk about globalization as both a positive and a negative thing. Hassell’s work, like William Gibson’s later novels somehow embodies each aspect. Both artists create a feeling of dislocation: an example I use is that these days, when so many people use cell phones as their primary phones, you have no idea where anyone is calling from, despite their area code displaying itself to you.