Big Ears starts Thursday. For those of you attending, here is a sample of the amazing guitar performances planned. For those of you who can’t make it, here is what you will be missing. There are still General Admission tix available, so if you can get to Knoxville this week, please do.
My years of making music in New York City coincided at various times with Elliot Sharp’s. Our musical worlds, however, rarely overlapped. I was playing blues and country music; accompanying singer-songwriters, both struggling and famous; and playing in pop bands that were trying to get record deals (my more avant-garde efforts would come later). Elliot, on the other hand, was at the nexus of all the art that was pushing the envelope during that period, and is still to this day. I never saw him perform live or met him until shortly before I left New York to move to Nashville in 2012, and then it was in a wonderful duo performance with Mary Halvorson.
I am heartened by how it gets harder and harder to pick the best of the year. It means that there are more and more great records of modern guitar being issued all the time. This year was made a little easier by the fact that veteran masters like David Torn, Henry Kaiser, Bill Frisell, Nels Cline, and Eivind Aarset all appeared on one or more records. The list is rounded out by younger players like Julian Lage, Max Kutner, and Anthony Pirog, as well as the introduction of new faces: Justus West, Rafiq Bhatia, and Igor Osypov.
Iinterviewed Esperanza Spalding guitarist Matthew Stevens for Guitar Player in 2017, after the release of his amazing record, Preverbal. He hadn’t taken it our live often yet, so here are some later videos, as well as a clinic he did in Amsterdam with his band.