B.B. King in Guitar Moderne? Hell yeah. He did more to modernize the sound of the blues than any other guitarist. King refined the sound of the electric guitar, finding that sweet spot where it drove the tubes and achieved the sustain of a horn, without distorting into unintelligibility. King mashed up elements of big band swing, Django Reinhardt’s gypsy fire, with some be-bop sophistication, all without ever losing the power of the genre’s simpler folk roots.
King was a student of music, working with instruction books during long trips on the road—and there were a lot of long trips on the road. It was this hidden well of sophistication that allowed him to often interject an amazing modern jazz run in the midst of the melodic call and response licks he used to tell his story.
Blues revivalists who mimic his style note for note are not his offspring. His children are players like Robben Ford, Joe Bonamassa, Mat Schofield, and Josh Smith, who start with his lessons and add modern touches of their own.
If Guitar Moderne is about moving the art of guitar forward, B.B. certainly deserves to be here. RIP Riley B King.