Dino J.A. Deane is a fascinating musician. Though not a guitarist, he occasionally plays some interesting stringed instruments. Better known as a pioneer of live sampling, Deane has played with John Zorn, Butch Morris, Jon Hassell, and Tina Turner. His book Becoming Music: Conduction and Improvisation focuses on the art of conduction, the process of, to put it simply, using the playing of live musicians as samples to create improvised music. Along the way the book imparts essential wisdom to any musician interested in the art of improvisation, or simply being in the moment. A must read, it is available from the merch section of Deane’s Bandcamp page.
Here is a terrific interview Deane did with Instant Takemitsu partner and recent GM interviewee Tim Motzer.
For over two decades of world touring, nine solo soundscape albums, and collaborations including over 100 albums of credits, Tim Motzer has been known for his distinctive textural acoustic-electro guitar voice utilizing looping, bowing, electronics, and prepared techniques. He has collaborated with numerous musical luminaries including David Sylvian, Burnt Friedman, poet Ursula Rucker, King Britt, Jamaaladeen Tacuma, Vernon Reid, David Torn, Markus Reuter, J.A. Dino Deane, and Pat Mastelotto, among others. Since 2016, Tim has toured the world playing prestigious venues and jazz festivals with Bandit65, an improvising trio he co-leads with guitarist Kurt Rosenwinkel and drummer Gintas Janusonis.
Tim has brought his projects together under his own 1k Recordings imprint. We talk about that and much of the above as well.
Joel Harrison is a guitarist/composer who runs an Alternative Guitar Summit each year that offers concerts and clinics by many of the players featured in Guitar Moderne. We talk about many things including this years virtual Summit, his must have book of interviews, and the web radio show we cohost. Links below:
Mulit-effects/amp sim floor pedals are not new. What makes the Neural DSP Quad Cortex Quad-Core Digital Effects Modeler/Profiling Floorboard (say that three times fast) newsworthy is its incorporation of an iPad type touch screen and its capture technology. From Mitch Gallagher’s concise, comprehensive demo, the device seems well thought out and elegantly simple. Unfortunately there seems to be no info on the onboard effects, but the board does allow you to capture the sound of both amps and effects. From the Anderton’s video, the effect capture seems pretty impressive. What do you think?