Wow! Andy Summers! I got an email from the legendary guitarist’s publicist saying he was a fan of Guitar Moderne and would love to talk to the mag about his latest record, Metal Dog. When I picked myself up off the floor I contacted her and said, “Sure.”
It would be fair to say Summers was one of the rare players who changed the sound of the guitar in pop music. Echoes (no pun intended) of his style can be found in U-2, Rush, even Nirvana. For deep background, I recommend his book, One Train Later: A Memoir , and movie, Can’t Stand Losing You: Surviving the Police. A great site about his gear through the years is here, and he also discusses the subject in some of these videos.
With a limited time to talk, I chose to concentrate on the Metal Dog record, as it is a perfect example of everything Guitar Moderne stands for: pushing the sonic and conceptual boundaries of making music with a guitar.
Guitarist David Torn has earned his place on the Guitar Moderne Pioneer banner through years of pursuing the outer reaches of the instrument’s sonic possibilities, through releases like Best Laid Plans, What Means Solid Traveller, Splattercell, and Prezens as well as collaborations with the likes of David Bowie, David Sylvian, and Meshell Ndegeocello. He has parlayed his talent for evocative textures into soundtrack work on films like Friday Night Lights, The Big Lebowski, Traffic, and Three Kings, as well as his Grammy-nominated score for The Order.
In honor of Torn’s new, completely solo record Only Sky [ECM] and the ensuing tour (see dates below) here is Part 1 of an epic, sprawling interview I began in Brooklyn last year and plan to continue in Baltimore this June. Also, look for my Guitar Player interview coming in June or July. Part 1 is highly edited but, I hope, still reflects Torn’s free-range approach to relating the details of his life in music.
I just found this incredible Terje Rypdal concert in Garana, Romania with Miroslav Vitous and Gerald Cleaver. There is also either a hidden orchestra or tracks going on (the laptop near Vitous leads me to believe the latter). Whatever the case, any Rypdal video is worth checking out, but this is exceptional. Thanks alexsh.
I was thrilled to be Creative Consultant on this video. Paul and Rob from DCI were drummers and weren’t sure what to ask him to demonstrate. When he says, “I was told to tell you that I use the compressor on all the time,” I was the one that requested he say that, as I felt it was a big part of the way he was able to get controllable feedback. Adrian had a bad cold that day from being immersed in a tank of cold water for a previous video shoot. .