Eventide’s H9 became one of those instant modern pedal classics like the Line 6 DL4 and the EHX POG. As it basically allowed only one effect at a time, it was not uncommon to see the boards of professionals and more well off amateurs sporting two. This week Eventide revealed the H90, the equivalent of two fully loaded H9s in one box for a bit less money. But the H90 is not only twin H9s; it has some tricks of its own, with new algorithms (notably polyphonic pitch shifting) and routing options. It apparently was an epic undertaking to put together such a complex product during Covid, but that just adds to the Eventide legend.
Category Archives: Gear
Cool Pedal Alert: Boss SL-2 Slicer
The original Boss Slicer, the SL-20, was one of those pedals that was ahead of its time. Not enough guitarists were into the sequencer style sounds that it was capable of producing. Or, not into it enough to sacrifice the pedalboard space it required. With the release of the SL-2 compact version of the effect, Boss is betting that the increase of forward thinking guitarists, combined with the new compact size, will entice more people to slice.
Electro-Harmonix Big Muff Pi Hardware Plugin
I worked for Electro-Harmonix three times. Once in the mid 70s, once in the later 70s, and finally when I moved back to New York from San Francisco in the early 2000s. By the last time, DAWS and plugins were a thing and hardware effect companies were cashing in by licensing plugin versions of their products. I suggested to Mike Matthews that he consider turning some of his classic pedals into plugins. He wasn’t into it at the time but apparently has now decided to put a toe in the water. Starting with his flagship effect, the Big Muff, he has launched a hybrid pedal/plugin concept.
Cool Pedal Alert: Meris LVX Modular Delay System
From the company’s inception, the folks at Meris have had their own take on pedal creation. Elegant packaging and interfaces have been a hallmark. They have outdone themselves with the LVX, however. In addition to the futuristic GUI, bit crushing and granular effects make this not your father’s delay pedal. They also include a tuner so you can take that pedal off your board help make room for this one.
Source Audio Releases The Atlas Compressor
When I was checking out Source Audio’s Ultra Wave distortion pedal, I found the compression options available with the Neuro Editor alone made it worth the price. That flexibility is built into the company’s new Atlas Compressor.
Compression can be a complicated, confusing effect, and plugging the Atlas into its Neuro Editor can be daunting, but just fiddling with the options reveals many of the sonic secrets professional users of compression have known for years. Most modern guitarists know how compression brings heavily reverbed and delayed volume swells alive. Check out these videos for more elucidation about this essential effect.