I was pretty sure he would outlive me. He was only four years older and in better shape. I am having a hard time imagining a world without him.
He eschewed the “live fast, die young” credo held dear by so many of his rock star peers. He was about the work, when he deigned to work; often he preferred his hot rods. He was in that select club of musicians who grow, change, and experiment as they age: Jim Hall, Bob Dylan, Joni Mitchell, Miles Davis, I run out of names pretty quickly. He was the one that got away; the only player I would have loved to interview, or even meet, but never got the chance. (I did get to hold one of his guitars in the Hard Rock Cafe vault in London).
Happy New Year. My interview with Markus Reuter is long overdue. He has been a major part of the modern guitar community for decades, from his brilliant work with The Stickmen and versions of King Crimson, to his recordings ranging from ambient to prog, to his terrific podcast featuring a number of modern guitarists. He has worked with Tim Motzer, Adrian Belew, Robert Fripp and Mark Wingfield among others. Our conversation ranges wide and long, covering many things of interest to the modern guitarist.
I interviewed Jonathan Crossley a year ago and described him as the poster boy for modern guitar, due to his experimentation with haptic control. He is now focusing on laptop software to create aleatoric loops with which he and his trio can improvise. I highly recommend his new record, Inhale and that you go back and watch the first interview here, along with the performance videos, either before or after. If you are interested in the possibilities of modern guitar you must check him out.
Two modern guitar giants (Lage and Frisell) together on record; another release from Ramble Records, a label that is fast becoming the go-to for brilliant modern guitar; a song based record with some new and gorgeous guitar sounds; and more. Fall is shaping up to be a listening bonanza.