Having published Guitar Moderne for over a decade, I remember when I had heard of most of the interesting modern guitarists out there. These days, there is a spate of names completely unknown to me coming over the transom (actually through email). Chris Sharkey is one, playing left-handed guitars strung standard, with chops to spare and a keen sense of composition. His new record, Presets on Not Applicable Records eschews flurries of notes for new sounds, moods, and textures. We dive deep into Ableton Live, the joys of noise, the London scene in the 2000s and the Leeds scene of today.
One of the best and most interesting guitarists on the New York scene (which means anywhere), Brandon Seabrook combines elements of metal, jazz, punk, noise, and free improv into a guitar style uniquely his own. He also plays banjo in a way that might put all those jokes to rest. He has an amazing new record out with Mike Watt and percussionist, Mike Pride, Stove Top [Rare Noise], under the band name Three Layer Cake. Recorded remotely, it nevertheless sounds interactive and cohesive enough to be mistaken for live, save for the terrific textures and additional instruments they overdubbed. We talk about all of the above, the joys of the ZT amps, and more.
Good news for fans of hardware looping: there is a new kid on the block. The company Glou-Glou has released the Loupé: Creative Looper & Delay pedal. Lovers of the Gibson/Oberheim EDP looper should be especially interested. It is already sold out but the next batch is available for pre-order. Check out the videos and see what you think.
On the occasion of three decades of service to the avant-garde community, I would like to wish Downtown Music Gallery a Happy Birthday, with hopes for many more to come. I encourage you to try them first when seeking out records by modern guitarists so they can continue far into the future. Check out this video of artists paying tribute to this singular shop.
Mark Wingfield has found the key to seamlessly integrating traditional and modern electronic guitar sounds through his use of the Roland VG-88 and a Sustainiac pickup. We talk about that and more. Speaking of more, click on the more button for videos of Wingfield in action and more discussion of his gear and process.