Jon Hassell Memorial Concert

The American trumpeter and composer Jon Hassel’s sound influenced guitarists like Eivind Aarset and, well, me, as well myriad other musicians. He passed away on June 26, 2021. This year he would have turned 85 and to honor him Nasjonal jazzscene in Oslo, Norway put on a terrific memorial concert on his birthday, March 22.

Continue reading

Share

Future Guitar

The 2022 Guthman Musical Instrument Competition started with 26 semifinalists from 16 different countries. After an online showcase of the semifinalists, a committee of Georgia Tech faculty and public voting decided which creators would compete at the final stage. Nine advanced to the competition’s final round. They met on the Georgia Tech campus in Atlanta, Georgia, on March 11 and 12, 2022, to compete for $10,000 in prizes. While none of these won, they do indicate some possible future directions for making music with guitar skills.

AirGlow

Continue reading

Share

Guitar Moderne Record Picks XXX

It is getting hard to keep up with all the terrific new releases. Modern guitar continues to make inroads in places as far-flung as Argentina, Switzerland, and Tasmania. The pandemic has resulted in works that are largely solo or remote collaborations, but no less successful than the in person collabs.


Continue reading

Share

Jam Pedals’ Shahzad Ismaily Interview

Shahzad Ismaily is a multi-instrumentalist perhaps best known for his bass work with Marc Ribot’s Ceramic Dog. He has also worked with Laurie Anderson and Lou Reed, Tom Waits,  John Zorn, Shelley Hirsch, Nels Cline,  Graham Haynes,  Billy Martin (of Medeski Martin and Wood), and Burnt Sugar, among many others. Thanks to Jam Pedals we have this fascinating interview.

 

Share

The Latest From Lava

With acoustic guitars largely still based in centuries-old technology, there is rarely an opportunity to talk about them in Guitar Moderne. Thus, I was happy to feature the Lava guitar in my NAMM report a couple of years ago. The Asian-based manufacturer Lava presents more like a technology company than a luthier-based enterprise, but either in spite of that or because of it I find them intriguing.

Continue reading

Share