I discovered Harry Pepl’s unique guitar approach on the Enrico Rava/Dino Saluzzi record Volver [ECM] in 1986 (a must listen). His chorused sound and fluidity were reminiscent of Metheny, but his attack was harder and his sensibility was decidedly more “out.” I loved it and searched the ECM site for more records with his playing on them. I found Cracked Mirrors, his outing with Herbert Joos and John Christiansen, but to my dismay it was only available in Europe. Now, thanks to the glorious fact that (almost) the entire ECM catalog is available for streaming, I am able to experience that record. Unfortunately, ECM has not seen fit to make Werner Pirchner, Harry Pepl, Jack DeJohnette available for some reason (though it is available on YouTube). There are other Pepl recordings to be found on both Spotify and Apple Music. Check out “Cracked Mirror” to hear how his playing in 1988 sounds fresh even today.
Thanks to a Facebook post by Naia Azumi, I discovered Elta Music devices . One of a growing number of pedal manufacturers who seem to be springing from the burgeoning modular market, Elta offers four effects in footswitchable packages that are bound to be of interest to the modern guitarist. First up is their String Ringer:
Mike Matthews & Co have done it again. Beginning with The Freeze and continuing on through the original Superego, the company started down a path of sample and hold effects that modern guitarists like Bill Frisell, Eric Chenaux, and others found essential to their sound. The Superego+ adds built-in effects, including pitch shifting and expression pedal control to create a modern guitar effect masterpiece. Bill Ruppert’s demo is outstanding as always:
If there is a guitar that smells like the future, this is it. Boss is introducing the V-BDN VG-Strandberg guitar, a new instrument that fuses the designs of Swedish builder Strandberg with the V-Guitar technologies from Boss.
The EarthQuaker Devices Data Corrupter Modulated Monophonic PLL Harmonizer launches today. This mouthful of a pedal is a monophonic analog PLL harmonizer with modulation. It takes your input signal and amplifies it into a square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer.
The Master Oscillator is the central nervous system at the heart of the Data Corrupter’s cyberpunk hive mind. It feeds your input to the Data Corrupter’s signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2) for maximum compatibility with your preferred instrument and frequency register. Once you’ve chosen your input octave, then the Data Corrupter will perform its calculations and spit out an analog synthesized frequency, which can be pitch-bent for portamento or vibrato sounds by the Frequency Modulator. From there, you can blend in one of eight Subharmonic intervals up to three octaves below the input and mix in a square wave fuzz tone for maximum data corruption. Full review to come soon.