If there is a guitar that smells like the future, this is it. Boss is introducing the V-BDN VG-Strandberg guitar, a new instrument that fuses the designs of Swedish builder Strandberg with the V-Guitar technologies from Boss.
The EarthQuaker Devices Data Corrupter Modulated Monophonic PLL Harmonizer launches today. This mouthful of a pedal is a monophonic analog PLL harmonizer with modulation. It takes your input signal and amplifies it into a square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer.
The Master Oscillator is the central nervous system at the heart of the Data Corrupter’s cyberpunk hive mind. It feeds your input to the Data Corrupter’s signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2) for maximum compatibility with your preferred instrument and frequency register. Once you’ve chosen your input octave, then the Data Corrupter will perform its calculations and spit out an analog synthesized frequency, which can be pitch-bent for portamento or vibrato sounds by the Frequency Modulator. From there, you can blend in one of eight Subharmonic intervals up to three octaves below the input and mix in a square wave fuzz tone for maximum data corruption. Full review to come soon.
There have been short clips of this available in the past of this group, with Palle Mikkelborg, Håkon Graf, Sveinung “Thunder Thumb” Hovensjø and Jon Christensen doing a TV special for NRK in 1978, but this is the first time I have seen the full concert. Thanks to Lasse Postmyr for uploading it to YouTube and Peter Freeman for posting on Facebook.
Once upon a time, a couple of former Strymon and Line 6 folks got together and started making 500 Series rack modules under the name Meris. Eventually they started producing pedal versions of two of the modules. I saw one of those pedals, the Ottobit Jr., demonstrated back in January by Nick Reinhart and Juan Alderete on the great YouTube channel Pedals And Effects. It immediately struck me as potentially a perfect multi-effects pedal for Guitar Moderne readers. As luck would have it, in February, Nick introduced me by email to the Meris people who were kind enough to send one when the review models became available. I dove in and here are the results.
Back in April, Mauricio Valdés introduced himself through email. I am so glad he did. In addition to making interesting music, he is in the process of developing software, Arenero, that should be of interest to many modern guitarists. According to Valdés, “Arenero is a free software system for improvisation, dedicated to guided improvisations for musicians and aficionados of sound art. It has been used as the basis of sessions for many different groups working in free improv workshops and conferences in Mexico and Europe.” For more info on Arenero and Valdés, read on.