If there is a young guitarist you captures the Guitar Moderne ethos perfectly it is Nick Reinhart. In his work with Tera Melos and with Nels Cline in Big Walnuts Yonder he exhibits a spirit of musical experimentation and pushes the guitar’s sonic potential as far as it will go, with virtuosic technique and wry humor. Premier Guitar caught up with him when he came through Nashville and did an extensive rig rundown, revealing his fan bestowed nickname (no pun intended). Reinhart also reveals one of his sonic secrets. Spoiler alert: Superglue.
The band Cairo Knife Fight is Nick Gaffaney, a drummer from New Zealand, and George Pajon Jr, a Grammy award winning songwriter and guitarist who has worked with The Black Eyed Peas, Fergie, Carlos Santana, Macy Gray, John Legend, and Sting. The duo redefines what two musicians can create live with Gaffaney drumming, playing keyboard bass, live looping, and singing, while Pajon generates live looped soundscapes and riffs. Thanks to Pete Thorn, we get a glimpse of how they do it. Are bands like this and Josh Dion’s Paris Monster the future?
EarthQuaker Devices corralled Nels for their Board to Death series. He talks about and demonstrates his gear alternating between brilliant playing and hilarious commentary.
More and more guitarists are experimenting with noise. Making noise with a guitar is easy; making music with noise, not so much. Álvaro Domene has mastered the art of turning non-pitched abrasive sounds into a kind of beauty. “Beta Particle,” on his record The Compass is record offers up a glitchy din ala Stian Westerhus, but with Domene’s personal stamp all over it. Elsewhere, ambient clean tones morph into Wagnerian waves of distortion, as he employs the entire range his 7-string guitar. He joins a growing number of European-born players making, er, noise on New York City’s modern guitar scene.
Rumors of this pedal have been flying around since 2015; it has appeared at the last two winter NAMM shows in various forms; but is only now available as Curt Malouin will release no pedal before its time. A while back we touted the Hologram Infinite Jets Resynthesizer as the ultimate modern guitar pedal, and for sheer variety of non-traditional sounds available in a single pedal it may still reign. But coming up fast is the Red Panda Tensor, with its more board-friendly size, MIDI capability, ease of use, and ease on the pocketbook.
Go to 7:27 to jump to the playing.