My years of making music in New York City coincided at various times with Elliot Sharp’s. Our musical worlds, however, rarely overlapped. I was playing blues and country music; accompanying singer-songwriters, both struggling and famous; and playing in pop bands that were trying to get record deals (my more avant-garde efforts would come later). Elliot, on the other hand, was at the nexus of all the art that was pushing the envelope during that period, and is still to this day. I never saw him perform live or met him until shortly before I left New York to move to Nashville in 2012, and then it was in a wonderful duo performance with Mary Halvorson.
Thanks to Jeff Gburek for these tips about different ways to use the EBow. Be sure to check out his website for more info.
If there is a young guitarist you captures the Guitar Moderne ethos perfectly it is Nick Reinhart. In his work with Tera Melos and with Nels Cline in Big Walnuts Yonder he exhibits a spirit of musical experimentation and pushes the guitar’s sonic potential as far as it will go, with virtuosic technique and wry humor. Premier Guitar caught up with him when he came through Nashville and did an extensive rig rundown, revealing his fan bestowed nickname (no pun intended). Reinhart also reveals one of his sonic secrets. Spoiler alert: Superglue.
On my first trip back to New York in two years, I lucked out in the modern guitar department. First I was able to meet with Ralph Gibson the fabulous photographer/musician at his studio for a wide-ranging discussion of photography, music, and life. Then, a random Facebook post revealed that Mike Baggetta was playing in Brooklyn with Jerome Harris, Billy Mintz— and Nels Cline on lap steel!
No Nels but this will give you an idea of the music.
Some Xmas gifts for the modern guitarist in your life.