The band Cairo Knife Fight is Nick Gaffaney, a drummer from New Zealand, and George Pajon Jr, a Grammy award winning songwriter and guitarist who has worked with The Black Eyed Peas, Fergie, Carlos Santana, Macy Gray, John Legend, and Sting. The duo redefines what two musicians can create live with Gaffaney drumming, playing keyboard bass, live looping, and singing, while Pajon generates live looped soundscapes and riffs. Thanks to Pete Thorn, we get a glimpse of how they do it. Are bands like this and Josh Dion’s Paris Monster the future?
If you are a fan of modern guitar, Knoxville, Tennessee is without doubt the place to be March 21-24, 2019. The lineup at last year’s Big Ears Festival was terrific, but this year’s crop of modern guitar mastery is even more bountiful. Get your tickets and reserve your rooms soon. For starters, Bill Frisell is performing in two contexts.
A few months ago, I met Ricky Graham at an Ableton Live event in Nashville. His melding of an 8-string Electric guitar with designing hardware modules, using and instructing about Ableton and Max/MSP seemed a perfect match for Guitar Moderne. We did a long Skype interview that revealed Graham’s history as a guitarist and how he got into the modular synth world. It was way too long for my arthritic wrists to transcribe and my transcription service decided they couldn’t deal with our rapid speech and technical terms, so I am posting the original interview in full. I suggest watching Graham’s videos first to help understand what it is he does. Be sure to download his plug-in Stream . You can hear his music, as Signals Under Tests, here .
A couple of records featuring Bill Frisell in his role as excellent sideman, a bunch of Tim Motzer releases, and some new faces.
Vessel is the latest recording by über-modern guitarist Dan Phelps. GM has spoken to Phelps in the past about his more group-oriented projects like Modular, Arc, and Spirits Drifted, but Vessel is representative of the guitarist as he more often appears live: alone on stage with guitar, effects, laptop, guitar amp, and full range speaker system. Recorded as one 45 minute take, it incorporates techniques Phelps has described in earlier interviews and in some newer videos included here.